I try not to, but sometimes that's the only option. I use a small artist brush. It takes a little time and patience but it's doable. Some people just cant afford to have the piano restrung to make the proper repair. I usually end up getting to do the proper job later down the road. Al Hi Al. I dont think its necessary to do a whole restringing job to apply CA thoroughly... but I find that getting the strings out of the way temporarily allows for a much better soaking of the bridge without the string getting affected. I've tried it both ways and just don't like the amount of CA I get in with the strings on unless I create myself a problem getting rid of a fairly significant buildup of CA on the string.... It wicks every which way :) So I just loosen a unison, move the strings out of the way.. wick in a as much CA as will go in and then put the strings back in place. Seems like a wearysome process... but you gain some time in how quick the application of CA goes, plus you dont have to stand over those fumes as much. It takes a bit longer... but not all that much. I put off a half a day for this way of doing it and leave the piano nicely in tune. What I like about Cellulose is that it does a very good job of soaking in without getting on the string hardly at all.... seems drawn to the wood if you get my meaning... and it takes a bit longer to <<stick>> to the metal of the string so its real easy to wipe as you go. I have a piece of 3 mm thick felt I keep cutting little pieces up to quickly wipe between the strings at the bridge. The whole process adds about 10 minutes to a tuning. Restringing might be an desirable option if you were using epoxy... but like I said I dont use epoxy for this unless I'm getting at least that far into a repair to begin with. Cheers RicB -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/pianotech.php/attachments/20091201/59b4d83f/attachment.htm>
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