Hi Well I don't have time to convience those peoples who reject a new idea without try it frist... Of change the bridge will improve more. I just want to give you a new possibility to improve the problem a other tool in the box. I got good result on many S&S B it do not make it perfect but there is a big improvement. I visite Stephen Paulello and he make fantactic piano in France And desing piano for Hailun in China http://www.arnopianos.com/paulello.pdf Paulello in china http://www.youtube.com/watch?v=qfhrn9DQsHs&feature=related Serge 2009/12/20 David Love <davidlovepianos at comcast.net> > I’ve done this area several different ways and so far this is the > smoothest way to do the transition that I’ve found. They’re all compromises > but better than the original. > > > > David Love > > www.davidlovepianos.com > > > > *From:* pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] *On > Behalf Of *erwinspiano at aol.com > *Sent:* Sunday, December 20, 2009 3:23 PM > > *To:* pianotech at ptg.org > *Subject:* Re: [pianotech] BB Mason and Tenor Cross over > > > > David > > *Very* Elegant looking. How would you critique the sound. > > Dale > > > > -----Original Message----- > From: David Love <davidlovepianos at comcast.net> > To: pianotech at ptg.org > Sent: Sun, Dec 20, 2009 3:18 pm > Subject: Re: [pianotech] BB Mason and Tenor Cross over > > You can't do much without making serious changes but redesigning the bass > > scale so it's a bit less heavy at the top can also help a bit. I don't like > > added mass at the top of the bass break, it really needs a longer extension > > for added stiffness. I haven't tried it but wonder if a small extension > > attached on the underside of the bridge pushing that small little extension > > on the topside out a bit might not help the end of the bridge effect. If > > you are taking the plate out you can simply extend it from the topside but > > if not then the underside is all that's available. > > > > Attached is my current favorite modification for an added tenor bridge on a > > Steinway B (or others for that matter with low tenor problems). It shortens > > the speaking lengths enough to help with the new wound strings scaling, > > doesn't change the strike point that much, keeps the new bridge in somewhat > > the same proximity to the rim as the old, creates separation from the low > > bass. A bass float would be ok here too but I didn't do it on this one. > > You can see the extra extension off the top end of the bass bridge as well. > > > > > > > > > > > > David Love > > www.davidlovepianos.com > > > > > > -----Original Message----- > > From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org <pianotech-bounces at ptg.org?>] On Behalf > > Of Al Guecia/AlliedPianoCraft > > Sent: Sunday, December 20, 2009 1:16 PM > > To: pianotech at ptg.org > > Subject: Re: [pianotech] BB Mason and Tenor Cross over > > > > So, bottom line guys. The French piano maker Stephen Paulello "string with > > softer steel" isn't going to do much? > > > > I don't do any scale redesigning and thought this might be an easy fix :-( > > > > Al > > > > > -- phone 514-750-4522 cel 514-569-4414 Piano Perfecto 5932 rue Viau Montreal Qc Canada H1T 2Y4 Piano Shop 17 Ronald Drive Montreal West, Qc Canada H4X 1M9 -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/pianotech.php/attachments/20091220/28ae53f7/attachment.htm>
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