Noah Frere wrote: > I find this confusing because I would have assumed that as soon as the > soundboard starts pulling away from the strings, and negative bearing > sets in, then the strings would be /pushing/ the soundboard down > further, rather than pulling up. I don't see how. Positive bearing is what supplies down pressure. Negative bearing would pull up. The string is under tension and trying to maintain a straight line between capo and aliquot (or whatever). >I imagine it this way: imagine a > tunpperware container with a lid that's slightly convex - you push the > sides together and it forces the lid up higher. (the equivalent of > putting on strings). No. Putting on strings, assuming positive bearing, will push the board down, not raise it up, and the rim has nothing to do with it. >Now take the pressure off the container and push > the lid down just enough to make it concave, reapply pressure, and the > lid will continue its downward path. Again, you're manipulating the perimeter, which in a piano would be the rim. The rim has virtually nothing to do with crown formation or support in a piano. > Visually this description reminds us of the soundboard, but i mean to > apply it to downbearing. Then where is the downbearing in your illustration? There is none. >That is, no matter which direction the crown is > facing, the tupperware lid represents the board/bridges as a whole. > However, being neither a physicist nor a rebuilder, i must have it wrong, Yes, wrong. <G> Ron N
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