Cool idea Greg,
How about bringing up overall tension to see what happens. Like a rough
tuning 100 or 200 cents high. How high can you go?
You could have 7 tuners each tune an octave at the same time.
Fenton
P.S. don't forget your safety gear, ear, hand, eye.
----- Original Message -----
From: "Greg Graham" <grahampianos at yahoo.com>
To: "pianotech" <pianotech at ptg.org>
Sent: Tuesday, February 03, 2009 8:35 PM
Subject: [pianotech] Piano "Gross Anatomy"
If you didn't have to worry about hurting the piano, what "stress tests"
would you want to try?
Have you always wondered how the frame of an upright is joined?
What does the back of a plate look like? Will it break if you remove the
plate screws under tension?
I’m working on ideas for a chapter "Gross Anatomy" dissection of a dead
upright piano. Rather than just pushing it out the second floor window like
they do on YouTube, this would be a serious, planned series of experiments.
We would get to see how pianos are put together, test things to destruction,
take home sample parts, etc. Old hat for rebuilders, perhaps, but valuable
experience for techs who don't usually tear 'em down that far.
Heck, even rebuilders may want to "test to destruction" certain components
that they usually need to save.
I'm hoping you can help me think through the experimental sequence below.
I have a big old upright, but plan to check with local stores and to see if
they plan on transporting any smaller, perhaps more modern pianos to the
dump. It may as well go to us and save the dumping fee. I will recycle
most of the case parts, action, and plate. Other junk will go in my
dumpster.
Ideas for "Piano Gross Anatomy" experiments: (Please suggest additional
ideas!)
1. Put CA glue on tuning pins that are loose. Check penetration later when
plate is removed.
2. Voicing related:
a. Revival of tubby bass string using the twist, loop,
loosen-and-whack methods.
b. Shave hammer shanks in treble to hear tone differences. Test for
shaved-shank breakage on hard blows.
c. Over-file hammers, making them too light, too pointy, too flat,
crooked crown, etc.
d. Over-needle some hammers. Over-lacquer some. Over-steam some.
Iron some. Over-iron some.
3. String Termination Tests:
a. Put CA glue on the bridge and listen to false beats. Better?
Worse? How much is too much?
b. Pound in bridge pins. Listen. Pound more. Alot. Too much.
c. Over-seat strings at bridge, intentionally causing damage to bridge
surface. Beats? How much is too much?
d. Downbearing modifications? Shim under strings? Chop away some of
the bridge?
4. How far over pitch can old piano strings go before breaking?
a. Test in several octaves.
b. Test using smooth pull vs jerk hammer technique
c. How hard can you press on a string with a pizza-wheel style string
stretcher? How hard can you whack it with a screwdriver at the v-bar?
d. Try ProLube at bearings to see if it makes any difference
5. Structural tests:
a. Jack the soundboard from the back frame and test for pitch change.
How much impact does the rise and fall of the soundboard have on pitch?
b. Remove sections of soundboard, or ribs, or just separate from rim
to see how tone changes.
c. Remove a couple back posts.
d. Remove several (most? all?) plate screws.
e. Whack the plate with a sledge hammer.
6. Dissassembly as if for rebuilding.
a. Remove keyframe, keydesk, legs, toeblocks, bottom board.
b. Break off sides.
c. Remove strings quickly, using becket breaker and/or power drill
motor, and/or metal cutting angle grinder.
d. Remove plate.
e. Test bond of pinblock to frame.
f. Check penetration of CA glue on tuning pins.
This could easily go on for several meetings, but I think much of it could
be done in one session (short business, long technical) if I pre-prep the
piano. I would remove loose case parts and hardware, remove keyframe
screws, apply lacquer to hammers (so it can dry), steam hammers, apply CA to
pinblock and bridge. Gather tools, cameras. Bring zip-lock baggies for
small parts “party favors” for participants. Prepare follow-up report for
PianoTech list.
What else?
Greg Graham
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