[pianotech] Aurally pure octaves

Nick Gravagne gravagnegang at att.net
Fri Mar 13 20:53:44 PDT 2009


Hey Paul,

 

My old friend! How many years do you and I go back? 

 

Because of our friendship I can tell you that I am burning out on this
subject for tonight, but will comment on your well stated observations below
another time - tomorrow perhaps.

 

See ya!

 

Nick Gravagne, RPT

Piano Technicians Guild

Member Society Manufacturing Engineers

Voice Mail 928-476-4143

 

  _____  

From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf
Of PAULREVENKOJONES at aol.com
Sent: Friday, March 13, 2009 8:33 PM
To: pianotech at ptg.org
Subject: Re: [pianotech] Aurally pure octaves

 

 

In a message dated 3/13/2009 9:27:11 P.M. Central Daylight Time,
gravagnegang at att.net writes:

The sensation of hearing beats at their pitch frequencies is real.

Exactly. I fail to see a difference between the so-called "whole-tone"
approach (which is yet unclear in its application) and the use of a dominant
partial set. The partial set is part of the whole tone. The whole tone
contains the partial set. We all hear it all, all the time, and use it,
beware to those who don't. None of us, I think, is saying that we entirely
depend on the exact relationship of the 2nd partial of the lower frequency
in the octave to the 1st partial (fundamental) of the upper frequency in an
octave. The two "approaches" happen at the same time if we are listening
with all our ears and with sensitivity.. 

 

The only correction to the statement below I would make is that it is too
non-objective. It is not just a sensation of hearing, it is a real hearing
of the beats, and it can be at their pitch frequencies or not. As I said, I
don't pay much attention anymore to the pitch, but to the dominating beating
to which I am highly trained to be able to pluck out of the morass of sound
in an interval, octave or not. I am using the "whole tone" as an information
source to refine my sense of the interval, but the "whole tone" is the
creator and refiner of the beating of the coincident partial set that I am
using as my major guide to the correctness of the interval I am seeking.

 

Or am I fooling myself?

 

Paul

 

 

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