The cancelling effect is apparent on any level of chord complexity. BS Am 26.03.2009 um 14:50 schrieb jim ialeggio <jimialeggio at gmail.com>: > > ..."which turns the temperament compromise into a pure tuning on the > chords level, by canceling beats through symmetric harmonic > interference." > > > > Is this cancelling effect apparent only in "chords" of common > practice triadic harmonies? Or, does the cancelling perception > still appear in non-triadic and/or atonal harmonies, as well as > extended triadic harmonies found in much jazz (9th, 11th, 13th > chords and the like)? > > Jim > > -- > grandpianosolutions.com > Shirley, MA (978) 425-9026 -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/pianotech_ptg.org/attachments/20090326/3f2059cd/attachment.html>
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