It seems to me we need to apply some common sense to what amounts to a balancing act between what we know as technicians and what we can get our clients to understand and accept. I apply a kind of sliding time scale to this kind of callback, meaning that if it's a piano I tune regularly and something slips within a week or so (not the slow roll that's been referred to but really out), I'll take direct responsibility, make a free touch-up visit and try to use the opportunity to explain something about the number and complexity of the factors that affect the tuning (and maybe try to sell them on humidity control). When it's been a longer period of time, or the piano had not been tuned regularly, I'll try to make them understand why it may have gone out but hold firm in charging for a service call. This doesn't apply to performance work, where the expectations are higher and the time frame shorter. I guess the bottom line is, put yourself in your client's shoes. When something goes wrong with some service person's work shortly after they leave, and they refuse to make it right for free, no amount of explanation or rationalization would make me feel like I haven't been cheated. Emphasis here is on defining "shortly" for yourself. Kerry Kean www.ohiopianotuner.com -----Original Message----- From: David Nereson [mailto:da88ve at gmail.com] Sent: Friday, January 08, 2010 2:07 AM To: pianotech at ptg.org Subject: Re: [pianotech] rock solid for how long? > We cannot be held responsible for what happens to the piano itself once we > leave the premises. Many factors must be taken into account > including > humidity flucuations. > > Jer I think this gets to the root of what I was actually concerned with. I get the attitude or expectation or impression from many clients than I AM responsible for that tuning holding for a reasonable amount of time -- at least 4 months or so, or even a year or two, in some people's minds. I remember many call-backs in the past (and occasional ones even now) where a string slipped within a few days of the tuning. The customer always feels that's the tuner's fault, since they think a tuning should last at least a year. In fact, when they were growing up, their mom only tuned the piano every 5 years or so, and it sounded fine (they think). So if my tuning doesn't last that long, I must not be very good, or else I did something wrong, or am getting old and can't hear, or was in a hurry or whatever. But more to the point of rock-solidness, how do you know, other than by using the forearm test or pounding the heck out of each and every unison, that that tuning will stay absolutely stable? Do you go thru and tap every pin with the flat end of your tuning hammer's head to see if any pins move, then go thru and touch them up? And after you do, how do you know those touch-ups are stable? You don't. And, yes, at concerts, sometimes tuners come out at intermission to touch-up a few strings. And this is understandable to the layperson because a concert artist was thrashing out a heavy piano concerto. But their home piano should stay in tune for at least a year since it's only used by light-handed, casual players. (Or some similar train of thought.) I still experience some guilt if I charge full fare, then get a call-back because a unison or a few slip(s) within the next few weeks. --David Nereson, RPT
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