Here is something that I wrote for the Partial Post, the newsletter of the North Shore Chapter. For those of you who don't know him or his teachings, it's not altogether too late. Much of his teaching is still there to be found in the pages of our Journal and especially his booklet "New Techniques for Superior Aural Tuning" published by the PTG Foundation and available from the PTG home office. Virgil Smith By Bruce Dornfeld, RPT Virgil Smith, RPT & M. Mus. passed away on Monday September 27 in the morning. He was in his nineties, ninety-two I believe. He had been retired from tuning for a number of years. His tools had been auctioned and he lived in a retirement home. He was still sharp mentally until the end. He would occasionally come to chapter meetings when someone could pick him and his wheel chair up. He was always happy to talk tuning and voicing with the technicians who would always find him for good advice. Virgil taught piano and music theory at the college level for 40 years, the last 32 with the Moody Bible Institute of Chicago. He learned piano service while teaching and continued to service pianos for 20 years after retiring from the classroom. He worked as the concert tuner for Orchestra Hall in Chicago for several years. He was much sought after by musicians who would fly him to various parts of the US and Canada. He was in his environment teaching technicians at all levels, from the local chapters to regional seminars and the PTG Technical Institutes. Virgil wrote many articles for the Journal as well as the Wippenpost and the Partial Post. He was the aural tuner for the two "Tune Offs" that pitted the best aural tuning against the best electronic tuning (by Jim Coleman, Sr.). Virgil was made an honorary member of the North Shore Chapter. In 2002, he was honored with the Golden Hammer Award, PTG's highest award. Other publications include Your Piano and Your Piano Technician, a book published by Kjos in 1981. In 2006, Keyboard Companion magazine published "The Amazing Piano Sound" about ways that servicing and playing can produce the best piano sound. His booklet New Techniques For Superior Aural Tuning was published by the PTG Foundation in 2005. He has more recently written two other books that may be published in the near future. Virgil was very important to my work with pianos. I first met him at a Chicago Chapter meeting where he taught a class on Steinway Teflon action centers. This would have been in the very early 1980s. I was lucky to take one on one voicing classes with him a little later. He had about three students who each got a used grand piano to work on at the American Music store in Niles. After regulating, tuning and hammer reshaping, he led each of us through the process until we got the most we could from those pianos. He also gave me practical ideas for changing my business from tuning and repair to a full service model. Virgil was a very good teacher, very patient, warm, and generous. He was a musician first. His ideas were expressed more often in musical terms than in scientific ones. This is the root cause of the difference of opinion that some have with his teachings. He work tirelessly to raise the standards of tuning and voicing in Chicago and as far as his voice could be heard. He always encouraged us to make pianos sound their best, to work to make our own skills the best, and to live a Christian life, to treat everyone you meet the best you can. Virgil, you will be missed here by so many of us, but your work will outlive us all. Rumors are already out there that the harps in Heaven are sounding better already! Bruce Dornfeld, RPT <mailto:bdornfeld at earthlink.net> bdornfeld at earthlink.net North Shore Chapter -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/pianotech.php/attachments/20101001/c8ab231e/attachment.htm>
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