Then with a Steinway hammer that usually means more lacquer or a good filing plus more lacquer. You can also simply sample some other hammers up there to see if there is more to be delivered. However, keep in mind that tenor and bass can be "awesome" on soundboards where the treble sections fails to deliver. If the changes made to hammers don't get you what you want, then the problem may be there--and it isn't the strike point. David Love www.davidlovepianos.com -----Original Message----- From: richarducci at comcast.net [mailto:richarducci at comcast.net] Sent: Thursday, April 07, 2011 4:15 AM To: David Subject: Re: [pianotech] Steinway B Hammer, the tenor and bass are awesome. Rick Ucci/ Ucci Piano uccipiano.com -----Original Message----- From: David Love To: pianotech Sent: 2011-04-06 21:23:58 -0400 Subject: Re: [pianotech] Steinway B Is it hammer dull or soundboard dull? David Love www.davidlovepianos.com -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of Richard Ucci Sent: Wednesday, April 06, 2011 6:06 PM To: pianotech at ptg.org Subject: [pianotech] Steinway B List, I have a client with a 1890's B which was rebuilt last year. It's one of those with the round red understring felts in the treble, with new Steinway hammers. Serial #63710. The treble section all the way to the top is DULL CITY. The rebuilder said it was the it was made. This piano has only 85 keys. What would be the best way to bring it up? Rick Ucci/ Ucci Piano www.uccipiano.com
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