[pianotech] The big discussion

Claude M. Harding charding88 at comcast.net
Thu Jan 27 22:02:11 MST 2011


I've been listening in on this discussion and had no intention of joining
in.  However, David A.'s offering moved me to the edge, and Ryan's post
below resonated so strongly with me that I had to at least speak a word of
agreement.  The ETD's are wonderful tools, but when beginning tuners use
them as a short-cut to full-time work, I think we have lost something
foundational to our craft.  Well-said, Ryan.

Claude Harding

 

  _____  

From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf
Of Ryan Sowers
Sent: Thursday, January 27, 2011 9:30 PM
To: pianotech at ptg.org
Subject: Re: [pianotech] The big discussion

 

OK. First of all let's get things straight. There is no such thing as "aural
tuning" really. Tuning is mainly a mental activity. We tune with our minds.
And the mind is by far the most sophisticated tool we own. And for our minds
to stay keen, they need to be exercised, stretched, and given time and space
to explore. 

Aural tuning is one way I choose to keep my mind active while I work. When I
tune, I'm navigating through a landscape of complex sound and harmonic
interactions. In the course of a tuning, I'm making a thousand or more quick
judgments and decisions. Every note is where it is because of a decision I
have made, a decision reached by simply listening, thinking, feeling. 

I'll say it again - the VAST majority of tuners on this planet don't know
what an in-tune piano really is. Without their crutch they can't walk. My
experience mainly comes from the PTG tuning exam. I have seen time and time
again, professional tuners come to the exam and perform very well during the
parts where the machine is allowed. But when it comes to just tuning two
octaves in the middle of the piano to a *minimal standard* they have no idea
what they are doing. 

The ETD users who contribute to this list are an elite group. Some of them
tuned many thousands of pianos over a period of decades before they became
ETD users. They have earned the right to argue for the use of the machine,
and I won't deny that some of them can probably tune circles around me. The
reason they know that the machines are good is they know when a tuning is
good! They use the machine to get the result they desire. 

Aural tuning is a really challenging skill to acquire! I remember agonizing
over an old piano for hours and hours and it still wasn't a great tuning. It
was hard work! Exhausting and tedious. But eventually things began to fall
into place. The four-hour tuning became the 3-hour tuning became the 2-hour
tuning. 10 years ago I never believed that I would be able to accomplish a
solid tuning in an hour. 

The new folks need all the encouragement they can get to persevere through
the tough learning curve! They need to be mentored, nurtured, and praised
for taking this challenge on. The ETD is a tempting short cut for the modern
tuning student. I think we owe it to our craft to keep some of the
traditions alive. 

Since we have calculators should our kids not have to learn their times
tables and other basic math skills? Since we have computers should we not
learn how to write with pen and paper? Why do we learn to play piano, when
we can pop in a CD and listen to a world class performance at the touch of a
button? 

I''ll admit that I've been contaminated by a Liberal Arts education. I think
as professionals we should also know something of the history of our craft
too. The piano is an amazing intersection of
culture/history/science/philosophy/art. The more I learn about it, the more
of a kick I get out of this business. Learning to tune "by ear" the old
fashioned way is a great way increase our appreciation. 

Have you ever met anyone who regretted learning to tune a piano aurally? I
don't think one exists. But I know  many technicians who wish they had taken
the time to learn it, and regret that they didn't. If its not the foundation
of your studies, it is easy to put it off indefinitely. 

So I submit that we have a responsibility to promote aural tuning skills.
Otherwise we risk becoming a tool of the machine instead of the other way
around. A craftsman implies something more than "just getting the job done".
It denotes a depth of understanding and skill that is beyond the generic and
superficial. In this mass production, throw away culture that is being flung
at as us from every direction, I have hope that those activities that
celebrate the richness of what we are will prevail. 

Ryan Sowers

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