On 12/18/2012 7:55 AM, David Love wrote: > There's been plenty of bashing of trichords, Read your own posts again. I have, and reported what I experienced. Sorry it doesn't correspond with your opinion. > I acknowledged your claim that with the permission to redesign you could > probably get around the need for trichords. What more do you want, an > award? No, just a sensible reply. Sure, you acknowledged it, followed by a general limitation of short pianos as a reason to use trichords, followed by the absence of permission to redesign used as a justification that there is a "place" for trichords under certain circumstances - like when you have no permission to redesign and have no choice, which you didn't acknowledge. >I still think there are situations in which trichord wrapped strings > will sound better, meaning offer better transition, than bichords. We don't > agree on that apparently. That's ok with me. That's OK with me too, if this can be done in a straightforward factual manner. Note, please, how I haven't preached on how every choice you have made in redesign is in dire danger of going too far, or not far enough, and screwing up some nebulous tonal criteria I currently think is desirable. Are you still using spring rate to dimension ribs with downbearing load analysis, or is that wrong now too? > No, I've not heard your pianos but I wasn't commenting on "your" pianos. My mistake. I had this vague impression you were bashing everything I said I do pretty much point by point. Wrong again, I guess. Ron N
This PTG archive page provided courtesy of Moy Piano Service, LLC