<HTML>List, I have been extremely busy lately with the show, Man of La Mancha which = opens this week and concert prep and tuning for an annual chamber music seri= es which uses a 100 + year old Bechstein.  The latter was a resounding = success, more on that and guitar tuning later but the good news today is tha= t there is at last a commercially available Jazz CD which features two piano= s,  a Yamaha C6 and Kawai RX3, both tuned in my own design known as Equ= al Beating Victorian Temperament (EBVT) with Tempered Octaves. (See my websi= te through the link below for more information) The artist is Roscoe Mitchell and the Note Factory.  The title of t= he CD is "Song for my Sister".  I was indeed given credit for my work i= n the liner notes. There are two ways to order:  directly from the distributor or from= Amazon.com. To order from the distributor, Pi Recordings: http://www.pirecordings.com/flash/main.html To order from Amazon.com: http://www.amazon.com/exec/obidos/ASIN/B000068CZ8/qid%3D1027978498/sr%3D= 11-1/ref%3Dsr%5F11%5F1/102-0542581-3432913 The music may not be for everybody but I have enjoyed it quite a bit so = far.  It is also not the ideal example to try to pick apart and analyze= the difference between the standard way of tuning the modern piano and the = way I have done now for 10 years.  It does however, demonstrate that mo= dern Jazz does not really require Equal Temperament (ET) as so many people a= ssume. Below is the review from Amazon.com.  Your comments and critiques a= re welcome.  The ordering information will be posted on my website soon= . <<Editorial Reviews Amazon.com <A HREF="http://www.amazon.com/exec/obidos/ts/artist-glance/50717/102-= 0542581-3432913">Roscoe Mitchell</A>'s new Song for My Sister will su= rprise those who pigeonhole the multi-reed player and flutist as a "free jaz= z" improviser and not much more. A founding member of the <A HREF="http://= www.amazon.com/exec/obidos/ts/artist-glance/53155/102-0542581-3432913">Art E= nsemble of Chicago</A> and the equally influential Association for the Advan= cement of Creative Musicians, Mitchell is often associated with the kind of = bombastic free jazz that the Art Ensemble pioneered in the 1960s--but as the= wonderfully varied Song for My Sister proves, that's not a fair cate= gorization of his broad composing and improvising talents. Recorded with the= Note Factory, Mitchell's nine- piece double-trio ensemble (two bassists, tw= o drummers, two pianists), Song for My Sister opens with the lyrical = title track, a swinging modal workout that wouldn't sound out of place on Jo= hn Coltrane's <A HREF="http://www.amazon.com/exec/obidos/ASIN/B00004WK0= U/102-0542581-3432913">Olé</A>. From there Mitchell dips into seve= ral of his many musical personalities: "This," a beautiful chamber-music pie= ce originally set to one of e.e. cummings's poems that utilizes Mitchell's b= ass and great bass recorders; the percussion-and-piano "The Megaplexian," wh= ich echoes Indonesian gamelan music; and some thrilling rides into free impr= ovisation on "Sagitta" and "When the Whistle Blows." Song for My Sister</= I> certainly doesn't fit into the neat categories that mark many major-label= jazz releases these days--a fact that both longtime and recent fans of Mitc= hell's nearly 40-year career will find heartening. --Ezra Gale>> Bill Bremmer RPT Madison, Wisconsin <A HREF="http://www.billbremmer.com/">Click here: -=w w w . b i l l= b r e m m e r . c o m =-</A> </HTML>