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<DIV>
<DIV>AMEN..........................</DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV style="FONT: 10pt arial"><B>From:</B> <A
title=mailto:ricbrek@broadpark.no =
href="mailto:ricbrek@broadpark.no">Ric
Brekne</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=mailto:pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Saturday, September 10, =
2005 5:49
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> President's =
Message</DIV>
<DIV><BR></DIV>Kent Swafford writes:<BR><BR> I won't alter a =
tuning to
its detriment <BR>to please a customer; customers should be =
willing to
play my tuning <BR>and give it a chance. Maybe they will like it =
after a
full tryout. <BR>The point is if I immediately return to a piano =
as the
result of a <BR>callback, when I get there we may still disagree =
about
whether the <BR>tuning is good. An optimist would say I might =
turn the
situation <BR>around by showing good faith and willingness to =
serve by
returning. A <BR>cynic might say, the customer will end up =
trying
somebody different <BR>anyway, so an immediate return is
pointless.<BR><BR>-------------------<BR><BR>I gotta admit... this =
snip is
even more disturbing then the first post. <BR><BR>First let me say =
that a
customer has a perfect write to their <BR>preferences. If one is =
dealing with
someone who has some real sense of <BR>what they want... tuning wise =
or
soundboard wise or whatever wise... <BR>then its our job to attempt to =
provide
that for them. If we as a tech <BR>do not wish to provide that =
service
for any particular instance then <BR>fine... fair enough... leave it =
and
go. An instance of this is <BR>historical temperaments... but it =
just a
well applies to a stretch <BR>preference, or even something as =
specific as a
single note. Our only <BR>task in such instance is to deem =
whether or
not the customer is serious <BR>minded or not.<BR><BR>I have an older =
lady
that for whatever reasons likes the highest section <BR>of the treble =
tuned
very high. Its quite strange really, starts at E7. <BR>All =
of a
sudden her <<tuning curve>> steepens radically.. way off =
the
<BR>chart. But thats what she likes.... thats what gives her
satisfaction. <BR>(ETD's are great for finding out this kind of
thing). Clear cut... <BR><<detrimental>> (according =
to my
tastes) or not... who the heck am I to <BR>impose upon this lady my =
definition
of what sounds right ?<BR><BR>no no no no no.... People have a =
right to
like what they like, be it <BR>historical temperments, low basses, =
high
trebles, old flatened and <BR>thined out soundboards, this make or =
that.
We have no rights whatsoever <BR>in defining to the world about us =
what others
should or should not <BR>appreciate. If a customer is sincere in =
there
desires.. then we should <BR>be sincere in our willingness to help =
provide
=
those.<BR><BR>JMT<BR>RicB<BR><BR><BR><BR>________________________________=
_______________<BR>pianotech
list info: <A title=https://www.moypiano.com/resources/#archives
=
href="https://www.moypiano.com/resources/#archives">http://www.ptg.org=
/mailman/listinfo/pianotech</A><BR></BLOCKQUOTE></DIV></BODY></HTML>