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<p class=MsoNormal><font size=3 face="Times New Roman"><span =
style='font-size:
12.0pt'>Then how else would you explain the improvemnt of touch and =
tone?</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span =
style='font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span =
style='font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span =
style='font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span =
style='font-size:
10.0pt;font-family:Arial;color:navy'>I didn&#8217;t hear any improvement =
in
tone much less touch.   I would like to see this demonstrated. =
 Lets sit together
in the audience and you tell me which notes have the special punching =
that I
put in but you don&#8217;t know where.   Or you play that piano and =
tell me
which notes have the special punching.  Until then, this is another =
bogus hype  to
sell something that has no special merit.   But if I am proven wrong =
I will
give $100 to your favorite charity. ---ric  </span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span =
style='font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=MsoNormal style='margin-left:.5in'><font size=2 =
face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma'>-----Original =
Message-----<br>
<b><span style='font-weight:bold'>From:</span></b> =
pianotech-bounces@ptg.org
[mailto:pianotech-bounces@ptg.org] <b><span =
style='font-weight:bold'>On Behalf
Of </span></b>antares<br>
<b><span style='font-weight:bold'>Sent:</span></b> Sunday, April 03, =
2005 4:39
AM<br>
<b><span style='font-weight:bold'>To:</span></b> Pianotech<br>
<b><span style='font-weight:bold'>Subject:</span></b> Re: Oorebeeks =
Punch'ns</span></font></p>

<p class=MsoNormal style='margin-left:.5in'><font size=3 =
face="Times New Roman"><span
style='font-size:12.0pt'>&nbsp;</span></font></p>

<p class=MsoNormal =
style='margin-right:0in;margin-bottom:12.0pt;margin-left:
.5in'><font size=3 face="Times New Roman"><span =
style='font-size:12.0pt'><br>
On 3-apr-05, at 11:18, Richard Moody wrote:</span></font></p>

<p class=MsoNormal style='margin-left:.5in'><font size=3 =
face="Times New Roman"><span
style='font-size:12.0pt'><?fontfamily><?param Arial><?color><?param =
0000,0000,8080><?x-tad-bigger>When
the key hits the front rail punching, the hammer has long ago left any =
contact
with the key.&nbsp;&nbsp;&nbsp; How the heck can a front rail punching =
affect
tone after the hammer has hit the string???---ric<br>
<?/x-tad-bigger><?/color><?/fontfamily><br>
<?fontfamily><?param Arial><?color><?param =
0000,0000,8080><?x-tad-bigger>&nbsp;</span></font></p>

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<p class=MsoNormal =
style='margin-right:0in;margin-bottom:12.0pt;margin-left:
.5in'><font size=3 face="Times New Roman"><span =
style='font-size:12.0pt'><br>
Then how else would you explain the improvemnt of touch and tone?<br>
<br>
<br>
friendly greetings<br>
from<br>
André Oorebeek<br>
<br>
www.concertpianoservice.nl<br>
<br>
&quot;Where music is no harm can be&quot;<br>
<br>
</span></font></p>

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