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<DIV><FONT color=#008000>Interesting one Clyde. Some good ideas. =
Thanks. A few
comments.</FONT></DIV>
<DIV><FONT color=#008000></FONT> </DIV>
<DIV>"Find a bass string that sounds the best and compare it with one of =
the bad
ones." </DIV>
<DIV> </DIV>
<DIV><FONT color=#008000>They are all bad, but you could compare the =
dramatic
change in tone from the low tenor to the first bass. I get your point =
here
though.</FONT></DIV>
<DIV><FONT color=#008000></FONT> </DIV>
<DIV>"Over the years I have unfortunately developed cynicism about some =
piano
teachers. They are like piano technicians in that some of them are =
truly
excellent world-class teachers, while others shouldn't be trying to =
teach at
all. I service pianos for a number of teachers, and the pianos go =
anywhere
from nice grands to truly poor spinets (a certain Kincaid spinet comes =
to
mind)."</DIV>
<DIV> </DIV>
<DIV><FONT color=#008000>Kincaid - OUCH! My sympathy.</FONT></DIV>
<DIV><FONT color=#008000></FONT> </DIV>
<DIV>"I once talked to a teacher whose piano (a Kimball console or =
something
similar) was *very* out of tune and she said, "Oh, something's wrong =
with
it."'</DIV>
<DIV> </DIV>
<DIV><FONT color=#008000>That is part of why I decided to not say =
anything this
time. She told me the piano was tuned about 9 months ago. She said =
it was
in pretty good tune, but she had moved it and thought she should tune it =
again.
When I sat down to play it initially, she said it again "it's really =
pretty
close, isn't it?" I did tell her that it was quite a bit out of tune - =
maybe it
was the move. This was likely the worst out of tune piano that was
more-or-less up to pitch that I have ever seen/heard. Example: F#3 was =
15 cents
flat and F#4 was 25 cents sharp! Talk about a bad octave! Many =
unisons were
a good 20 cents or more off from one another. Then she pulls out this =
little
$9.95 Radio Shack tuner and says "I play violin also and tune my violin =
to
this". It was set at 440 Hz, which checked out at 12 cents flat on my =
Verituner.
This one just seemed a little hopeless. Maybe next appt. the shock level =
will be
lower, I won't feel so befuddled, and I will be able to have a nice
heart-to-heart (or at least a nice piano tech to pianist) chat with
her.</FONT></DIV>
<DIV><FONT color=#008000></FONT> </DIV>
<DIV><FONT color=#008000>Takes all kinds. Hey, we'd get bored if it
didn't! </FONT><FONT color=#ff0000>:-) </FONT></DIV>
<DIV><FONT color=#008000></FONT> </DIV>
<DIV><FONT color=#008000>Terry Farrell</FONT></DIV>
<DIV> <SPAN id=__#Ath#SignaturePos__></SPAN> </DIV>
<DIV>----- Original Message -----
<DIV>From: "Clyde Hollinger" <<A
href="mailto:cedel@supernet.com">cedel@supernet.com</A>></DIV>
<DIV>To: <<A =
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A>></DIV>
<DIV>Sent: Tuesday, May 21, 2002 8:40 AM</DIV>
<DIV>Subject: Re: Marketing Approach</DIV></DIV>
<DIV><BR></DIV>> Terry,<BR>> <BR>> It just occurred to me that =
you
could maybe use something like this:<BR>> <BR>>
"Mrs. Client, even piano =
technicians
can't agree on the exact meanings of terms like rebuilt, restored, =
etc.
Some will interpret it to mean spending many thousands of dollars to =
make the
piano look and play like new and often better than new, while others may =
have
standards that are much lower. It may surprise you to know that =
even brand
new pianos can often be improved considerably, although most buyers =
would have
trouble understanding that.<BR>> =
"My observations about your piano indicate that considerably more could =
be done
to improve it. Now if you like your piano just the way it is, =
fine; we'll
just pick up on normal maintenance from here on. But would you be
interested if I explain to you ways that the piano can sound and play =
even
better than it does now?"<BR>> <BR>> Then take it from =
there. Find a
bass string that sounds the best and compare it with one of the bad =
ones.
Invite her to your shop, if you wish, and show her what you do. =
Maybe you
can show her a rebuild you just finished and let her see and play =
it. Even
though she is a piano teacher, she may never have played a piano that =
really
looks and sounds good. Or show her whatever else you think she =
should
know.<BR>> <BR>> The risk, of course, is spending a lot of time
explaining/showing all this stuff and in the end not having one red cent =
more
income to show for it. Just be sure that if she okays more work, =
she will
be able to notice the improvements when you are finished. =
Otherwise,
she'll think you're a quack out to get her money.<BR>> <BR>> Over =
the
years I have unfortunately developed cynicism about some piano =
teachers.
They are like piano technicians in that some of them are truly excellent =
world-class teachers, while others shouldn't be trying to teach at =
all. I
service pianos for a number of teachers, and the pianos go anywhere from =
nice
grands to truly poor spinets (a certain Kincaid spinet comes to =
mind). I
once talked to a teacher whose piano (a Kimball console or something =
similar)
was *very* out of tune and she said, "Oh, something's wrong with =
it."
Well, duh! Why not get it fixed?! But if they keep their =
price for
lessons low enough, the trusting public will beat a path to the =
door. I
better stop there before I get too carried away.<BR>> <BR>> =
<BR>>
Regards,<BR>> Clyde Hollinger, RPT<BR>> <BR>> <A
href="mailto:Kdivad@AOL.COM">Kdivad@AOL.COM</A> wrote:<BR>> =
<BR>> > In
a message dated Mon, 20 May 2002 8:05:23 PM Eastern Daylight Time, =
"Farrell" <<A
href="mailto:mfarrel2@tampabay.rr.com">mfarrel2@tampabay.rr.com</A>>=
writes:<BR>> ><BR>> > >I tuned a small Baldwin grand for =
a lady
today. I would guess it is at least 50 years old. It is not one of their =
top-teir pianos - it is one of the cheaper ones. The thing has realy =
tubby bass
strings and the action is way out of regulation, etc. - your basic worn =
out
older piano.<BR>> > ><BR>> > >She informed me that she =
just
moved here and wants to start teaching piano again. She also plays =
violin. So of
course, I was thinking that I should mention to her some ways to improve =
the
performance of her piano - if not a total rebuild/replacement at least =
new bass
strings and a serious action refurbish/rebuild.<BR>> > =
><BR>> >
>So I asked her how long she has had the piano. She said five years. =
She
bought it because it has just been totally rebuilt: Hammers may have =
been filed,
case was crumily (word?) refinished, and plate and tuning pins and =
agraffes and
strings had been painted gold.<BR>> > ><BR>> > >I =
clammed up
at that point and left. Is there any constructive way to sell her work =
in light
of the recent "rebuild"? Anyone with a clever sales approach that would =
cut
through the BS that she apparently purchased in the past?<BR>> >
><BR>> > >I've run into similar situations before and really =
don't
know what to say that might sound constructive and appropriate.<BR>> =
>
><BR>> > >Terry Farrell<BR>> > ><BR>> > =
Terry, tough
situation, the way I find successful for me is find out the complaints =
if any
and let them guide me. I then go over the piano side by side with the =
customer
discovering any problems together. I use an evaluation list to =
explore the
condition of the piano in an unbiased and methodical manner. I =
would
typically say things like "I use my tuning hammer to see how tight the =
tuning
pins are telling me if the piano will hold a tune," It seems elementary =
but with
most customers this eliminates hurt feelings or embaressments that can =
happen
when you all of a sudden tell them that their piano needs major =
work. A
diplomatic explanation of the vast differences between piano mens =
interpretation
of the definition of restored and rebuilt helps. A intuitive =
understanding
of what the customer is really looking is most important, maybe she is =
happy the
way it is. These things work really work well for me and maybe =
there is
something here you can use.<BR>> > David Koelzer<BR>> > =
DFW<BR>>
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