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<DIV><FONT face=Arial size=2>Hi Richard.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Thanks for taking time.</FONT></DIV>
<DIV><FONT face=Arial size=2>But ...</FONT></DIV>
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<DIV>Ok... this of course changes the situation as you've moved up a =
bit in
general on SW's and you've got this big bulbous bulge in the =
middle. C-3
and C-2 are in the top part of the low SW zone, then C-1 goes up =
all the
way to top medium (+) and C0 is way the heck up there, and the curve =
finishes
off just over the dividing line between the high and medium zones. =
Assuming
this data and the ratio you gave is correct, you have like two =
different
pianos :)... the bass is set up with low SW's an a low ratio, and the =
rest of
the piano set up with high SW's and a low ratio. I would think =
that
would be pretty noticible in both play and sound really. Again, I =
would
definatly even out this situation before getting into any needling. =
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<DIV dir=ltr><FONT face=Arial size=2>I will even out the =
situation. But
still, evenness was not the problem. I wonder if evening out the =
SW will
cure my real musical problem of dynamic linearity between P and =
mF. Don't
think so.</FONT></DIV>
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<P>I think it would be best for you to get a reliable measuring device =
like
the Stanwood kit, or make something youself, as it's very important to =
get
dependable data. And it would be fun to get a better sense of how this =
instrument is set up. </P></BLOCKQUOTE>
<P dir=ltr>That is sure. I will. But still, do you think =
those very
numbers tell the whole story ?
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<P>Cheers <BR>RicB </P></BLOCKQUOTE>
<P dir=ltr>Best regards,</P>
<P dir=ltr>Stéphane Collin.</P>
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