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<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-=
LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">At 09:05 PM 8/24/2003 -0700=
, Terry wrote:
<BR>>I'm curious as to what type of customer invoices are used by the lis=
t
<BR>>members. I'll wager there's quite a variety of invoices used, from a=
<BR>>standard receipt book, to custom, personalized invoice books that ha=
ve
<BR>>entries for just about ANY specific piano related work performed. &l=
t;snip>
<BR>
<BR>Hi Terry,
<BR>
<BR>I've designed my own 8x11 invoices on Microsoft Publisher. It has =
gradually evolved from something with a logo and a few lines into what I cur=
rently use. It is a receipt, and it doubles as an evaluation form. &nb=
sp;On it are listed most of the items that may concern a technician on a ser=
vice call: pitch/tuning, action, trapwork/pedals, and so on. The=
re is a column in which I can note problems, and a column that lists work co=
mpleted.
<BR>
<BR>At the bottom of this form is a box that lists my fees. This inclu=
des my rates for a basic service call, pitch raise, hourly rates after 1 1/2=
hours in the home, appraisal, job estimate, shop work, no-show fee, and wee=
kend/after hours charges. I try not to leave a whole lot of gray area.
<BR>
<BR>I get them printed at a local print shop in duplicate, and I have them n=
umbered for reference purposes. It has worked out quite well. I'=
ve had several comments about the "professional" look of it. Unfortuna=
tely, this often impresses our customers more than the work we do...:-(
<BR>
<BR>Dave Stahl</FONT><FONT COLOR="#000000" SIZE=3 FAMILY="SANSSERIF" =
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