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<DIV><FONT face=Arial size=2>Jim Coleman Sr. (what a wonderful =
guy!) has
oodles of stuff on exactly that.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Terry Farrell</FONT></DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=741662027@theshusters.org =
href="mailto:741662027@theshusters.org">Cy
Shuster</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Monday, August 23, 2004 =
11:13
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Hybrid =
aural-electronic
tuning</DIV>
<DIV><BR></DIV>
<DIV><FONT size=2>Bob,</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>I'd love to hear more on how to combine aural =
checks with
electronic tuning. That seems to be the best of both
worlds.</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>With TuneLab Pro, I measure iH in every octave, =
watch for
big jumps across the bass/treble break (and use the split spinet scale =
if
necessary), then adjust the tuning curve to be flat on the ends. =
But I
always use the default 6:3 octaves in the bass and 4:2 in the treble, =
because
I don't know any better. Maybe this topic is too basic for this =
list...
(I'm studying Baldassin's "On Pitch")</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>--Cy Shuster--</FONT></DIV>
<DIV><FONT size=2>Bluefield, =
WV</FONT></DIV></BLOCKQUOTE></BODY></HTML>