<HTML><FONT FACE=arial,helvetica><FONT SIZE=2>Dear List,
<BR>
<BR>I have the pleasure of announcing, now that it is official, something that
<BR>may be a first. Middleton, Wisconsin, a largely residential suburb of
<BR>Madison, has a theater company, Middleton Players Theater which produces a
<BR>large cast musical theater show each August.
<BR>
<BR>When I heard the selection was Leonard Bernstein's 1947 musical, "On the
<BR>Town", I was really interested. I went to the auditions and was cast in a
<BR>leading role! But that's only part of what I am and will be doing. I tuned
<BR>and prepared the rehearsal piano (a Baldwin Hamilton) in my usual Equal
<BR>Beating Victorian Temperament (EBVT).
<BR>
<BR>Although most people would think this 20th Century music, which occurs and
<BR>modulates into most of the 24 Major and Minor keys would require Equal
<BR>Temperament (ET) to be interpreted on the piano. But as I believed it would
<BR>be, it is actually enhanced and more appropriately executed by a Victorian
<BR>style temperament. The mild shades of "key color" found in the EBVT give
<BR>each key that Bernstein chose to write in a distinct mood: a *reason* to be
<BR>in that particular key!
<BR>
<BR>Bernstein's orchestration is incredible. It calls for a much larger ensemble
<BR>than could ever fit in the pit of a moderately sized theater. Therefore, the
<BR>usual group of live musicians must be supplemented and underscored by
<BR>electronic keyboards. This is something that had never interested me until
<BR>now. But I am really eager to be able to make a distinct difference because
<BR>these state-of-the-art digital keyboards are temperament and octave
<BR>programmable!
<BR>
<BR>No, I do not have to accept ET with no stretch. I can program each note to
<BR>any value I choose. This means I will be able to give a fresher, more
<BR>realistic sound to the instruments the keyboards will represent. This
<BR>includes a grand piano sound, which is a very important part of the score.
<BR>There is not going to be room for even a vertical in the pit, so the Kawai
<BR>Digital must do the job.
<BR>
<BR>Maestro Andrew Abrams, a native of Middleton and a multi talented musician,
<BR>pianist, vocalist, actor, teacher and conductor will return from his present
<BR>home in New York City to conduct the orchestra. Andrew made a brief visit to
<BR>the area for the Father's Day weekend and attended the cast's music rehearsal
<BR>of the entire show at the end of the first week of rehearsal.
<BR>
<BR>He was visibly thrilled at the enhanced effect the EBVT was able to provide.
<BR>Long after the rehearsal was over, Andrew stayed to play on through many of
<BR>the difficult but interesting parts of the score. I could hear the pulse
<BR>from the piano all the way out in the parking lot! At the theater, another
<BR>piano will be tuned in EBVT for the cast warm ups prior to the show.
<BR>
<BR>Middleton Players Theater is deeply indebted and grateful for the generosity
<BR>of Farley's House of Pianos, Timothy Farley RPT, proprietor, for providing
<BR>the two Kawai Digital Keyboards that will be required. Be sure to see his
<BR>and Daniel Eberhardy RPT's presentation in Reno. It promises to be
<BR>fascinating. For anyone interested in exploring the effects of different
<BR>temperaments in an instant, the Kawai digital keyboard can be a very useful
<BR>tool.
<BR>
<BR>Regards,
<BR>
<BR>Bill Bremmer RPT
<BR>Madison, Wisconsin</FONT></HTML>