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<DIV><FONT face=Arial size=2>A marketing department mandate. Oh, and =
tradition.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Terry Farrell</FONT></DIV>
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style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=michael@gambles.fsnet.co.uk
href="mailto:michael@gambles.fsnet.co.uk">Michael Gamble</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Saturday, March 06, 2004 =
10:24
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> New Topic: Bass =
Cantilever
Bridges</DIV>
<DIV><BR></DIV>
<DIV><FONT face=Arial size=2>Hello List & Ron Overs. =
</FONT></DIV>
<DIV><FONT face=Arial size=2>There seems to be room for a =
discussion on the
topic of Bass Cantilever Bridges. Can anyone offer any discourse on =
the
subject? The "why's" and the "wherefore's"? I also wonder if further
amplification of the insertion of a block under the cantilever to give =
it a
more direct contact with the sound-board really works? If so... why do =
S&S
(and other really reputable makers) use cantilevered Bass =
bridges? Over
to you..</FONT></DIV>
<DIV><FONT face=Arial size=2>On a sunny Saturday afternoon in the =
Sussex
Downs</FONT></DIV>
<DIV><FONT face=Arial size=2>Michael G
(UK)</FONT> </DIV></BLOCKQUOTE></BODY></HTML>