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<DIV><FONT color=#000000 size=2>Hello dear colleagues</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT> </DIV>
<DIV><FONT color=#000000 size=2>Thanks for all your answers for my =
old agraffe
removing problem. At last I finish the job with the "official" =
method
by there i.e.c. with a tool called "pointe carrée" =
(square end)
that we here to open holes in wood before puting screws in it. =
</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT> </DIV>
<DIV><FONT color=#000000 size=2>My question today is :</FONT></DIV>
<DIV><FONT color=#000000 size=2>A colleague submit me the idea that =
the slant on
the bridges is designed to push the sounboard in a S shape, so there is =
a better
resistance because this shape is more stable He told me the same design =
exists
intentionally in the Ovation guitar sounboard.</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT> </DIV>
<DIV><FONT color=#000000 size=2>What do you think ?</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT> </DIV>
<DIV><FONT color=#000000 size=2>I wish a VERY GOOD YEAR 99 to you =
all on the
list, and I am always trying to convince the tuners I meet to
subscribe.</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT> </DIV>
<DIV><FONT color=#000000 size=2>P.S. Very impressive is the thread =
on impedance.
</FONT></DIV>
<DIV><FONT color=#000000 size=2>I've found a temporary answer on the =
"Harmonicity of length" and "Harmonicity" parameters =
I found
in a German scaling program I have. ("TURBO" , from Peter =
Tholey, I
was looking for a meaning of that a while ago) It would be a =
parameter of
the sound quality predicted, according to the "German Scale" =
rules
edicted by Klaus Fenner , wich is a reference here in piano computation. =
</FONT></DIV>
<DIV><FONT color=#000000 size=2>Any new idea on that will be
welcome.</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT> </DIV>
<DIV><FONT color=#000000 size=2>Best regards</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT> </DIV>
<DIV><FONT color=#000000 size=2>Isaac =
OLEG</FONT></DIV></BODY></HTML>