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<DIV><FONT face=Arial size=2>Rob,</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>I truly like this post.</FONT></DIV>
<DIV><FONT face=Arial size=2>It describes exactly what caught me in =
piano
matters.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>I am restoring now an old Bechstein =
from 1870,
before Germany gathered into an Empire. I have lots of fun =
reading
the newspaper punchings at the front rail. Just for fun, I join =
some pics,
but from another Bechstein, from 1928. Funny to read what was in =
the air
about that time.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Stéphane Collin</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>(time doesn't respect what you do =
without
it)</FONT></DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=rrg@unlv.nevada.edu href="mailto:rrg@unlv.nevada.edu">Rob =
Goodale</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, November 11, =
2003 12:08
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> More on the Broadwood
piano</DIV>
<DIV><BR></DIV>
<DIV><FONT size=2>Hello everyone.</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>Thanks for all the input on the Broadwood =
piano. I am
continuing my search for historical information. The Broadwood =
company
still has many of it's early records from this era and for a fee they =
will
research their archives for any information. I will be =
submitting all
the information to see what they may have. In the meantime I =
have taken
some pictures and will hopefully get them posted here soon. It =
is truly
a fascinating historic piece, quite a rare and remarkable find. =
I am
still in disbelief that I have it within my possession, I have never =
seen an
early piano like this outside of a museum.</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>I have finally pulled the action. It is an =
amazing
design. The original hammers are all there. The =
moldings are
proportionally very small and have a unique bulb-ish shape, perhaps =
rosewood
but I'm not certain. They consists of what appears to =
be a
paper or parchment-like inner layer followed by a layer of leather and =
then
the outer felt. All of the parts are original with the exception =
of a
few hammer shanks. The hammer butts are very small. It is
difficult to see the escapement system without some disassembly which =
I have
not yet done. There are no independent hammer flanges, rather =
the butts
are all in sections threaded on a continuos center pin wire, (someone
commented on this a few days ago, I'm not sure who because it's on my =
other
computer at home). Over all the action is in remarkable =
condition given
it's age. The two pedals operate the sustain and shift the =
action.
The pedal rods ride on brass plates instead of in felt bushings. =
There
is evidence that the bottom of the piano was originally covered with
cloth.</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>The name "J. Allatt" is stamped on =
the bottom of
a piece of molding on the tail section. The name "Lough" with the =
serial
number is neatly written in a simple calligraphic style on a small =
white label
inside the key bed. I am assuming these were the head craftsman =
who
built this piano. There are 18 wound strings totaling 36 strings =
on the
bass bridge. I have not yet determined if the strings presently =
on the
instrument are original but my general feeling is that they are =
not. The
bridges are in remarkably good shape.</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>I have been thinking about the =
historical
significance of this piano. It was built 20 years before Abraham =
Lincoln became president. Pianos were built one at a time =
by
assigned craftsman during this era making them very =
expensive.
Generally only the more aristocratic would have been able to
afford them. >From this conclusion it is fascinating to
contemplate what it must have been like when this piano was new. =
Can you
imagine the day this piano was delivered to it's new home? What =
was the
weather like that day? I picture the parlor of a well-to-do =
home.
The house was heated only by a fireplace. The floors are =
wood and
the area rugs would have been made by hand. All lighting was =
either by
candle or oil lamp. I visualize the well dressed ladies sitting =
on the
hand crafted chairs, the men in their suits smoking cigars and sipping =
brandy
while the pianist plays the works of Chopin. The smells from the =
cast
iron stove in the kitchen fill the house. The only =
transportation of the
day was on foot, horseback, or by horse drawn carriage which is what =
one would
hear outside the house on the cobblestone streets of London. It =
took
three months to cross the Atlantic by sailing ship. 160 years =
later this
piano is still intact and is living history that you can actually =
touch.
If it could talk what stories would it tell? What music did it
play? Can you hear the voices of Christmas carols gathered =
around
it? Amazing isn't it. Ladies and gentlemen <U>THIS</U> is =
what
makes the business worth all the trouble and is precisely why I =
became a
piano technician. It's not just the piano, it is also the =
living
history which embraces it.</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>Rob Goodale, RPT</FONT></DIV>
<DIV><FONT size=2>Las Vegas, NV</FONT></DIV>
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