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<DIV> Del</DIV>
<DIV> Thanks for the perspective but what a bout an
appropriate amount of mass in this area adding to the impedance qualities? I=
realize the importance of rib stiffness for this purpose but....how much mas=
s is
too much or not enough? Too much thickness in the treble can giv=
e a
stingy sound & too thin sometimes a a sound not dark enough for my=
liking</DIV>
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<DIV dir=ltr align=left><FONT face="Comic Sans MS" color=#000080 s=
ize=3><SPAN
class=343060314-23062005>Dale,</SPAN></FONT></DIV>
<DIV dir=ltr align=left><FONT face="Comic Sans MS" color=#000080 s=
ize=3><SPAN
class=343060314-23062005></SPAN></FONT> </DIV>
<DIV dir=ltr align=left><FONT face="Comic Sans MS" color=#000080 s=
ize=3><SPAN
class=343060314-23062005>This is true only if the soundboard assembly is=
compression-crowned where the thickness of the board is necessary to suppo=
rt
crown over the years. <STRONG>It<U>'s why diaphragmed soundboards collapse=
more rapidly than do thicker
boards.</U></STRONG></FONT></FONT></DIV></BLOCKQUOTE>
<DIV><STRONG> Perhaps I'm misunderstanding your point here. Do y=
ou
mean thinner, as the compression load a on a thinner board would give up soo=
ner.
Also most diaphramized bords are 8 mm or less around the
perimeter</STRONG></DIV>
<DIV align=left></SPAN> </DIV>
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<DIV dir=ltr align=left><FONT face="Comic Sans MS" color=#000080 s=
ize=3><SPAN
class=343060314-23062005>If the soundboard is crowned using curved ribs =
the
bulk of the crown support comes from the rib and the panel functions more =
as a
non-structural diaphragm. <STRONG><U><EM>In this system the thickness of t=
he
soundboard is chosen based more on</EM> <FONT size=4>(acoustical needs</=
FONT>
<FONT size=4>)</FONT><EM>and less on structural requirements and 8 mm is=
quite
adequate.</EM></U></STRONG> </FONT></FONT></DIV></BLOCKQUOTE>
<DIV> </DIV>
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<DIV dir=ltr align=left><FONT style="BACKGROUND-COLOR: transparent" =
face=Arial
color=#000000 size=2><FONT face="Comic Sans MS" color=#000080
size=3><STRONG>would you elaborate on
this</STRONG></FONT></FONT></DIV></BLOCKQUOTE>
<DIV> </DIV>
<DIV> </DIV>
<BLOCKQUOTE
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<DIV dir=ltr align=left><FONT style="BACKGROUND-COLOR: transparent" =
face=Arial
color=#000000 size=2><FONT face="Comic Sans MS" color=#000080 size=
=3>This is
especially true if a reasonable cutoff bar and a fish are
used.</FONT></FONT></DIV></BLOCKQUOTE>
<DIV> <STRONG><FONT size=3>Yes I see this makes sense. Less area is
automatically made stiffer</FONT></STRONG></DIV>
<DIV><STRONG><FONT size=3> Thanks</FONT></STRONG></DIV>
<DIV><STRONG><FONT size=3> Dale</FONT></STRONG></DIV>
<DIV> </DIV>
<DIV align=left></SPAN> </DIV>
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class=343060314-23062005></SPAN></FONT> </DIV>
<DIV dir=ltr align=left><FONT face="Comic Sans MS" color=#000080 s=
ize=3><SPAN
class=343060314-23062005>Del</SPAN></FONT></DIV><FONT face="Comic Sans=
MS"
color=#000080 size=3></FONT><FONT face="Comic Sans MS" color=#0000=
80
size=3></FONT><BR>
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ONT
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<DIV>
<DIV> Ron</DIV>
<DIV> 8 mm /.320ish is on the thin side for a 9ft g=
rand
of any make . A board this thin doesn't really need much thinning. =
In
fact it's probably not thick enough in the treble. I'm unaware of t=
he
German factory's rhetoric on panel thinning. I'm guessing it sounded a b=
it
thin? grin</DIV>
<DIV> Regards</DIV>
<DIV> Dale</DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px soli=
d"><FONT
style="BACKGROUND-COLOR: transparent" face=Arial color=#000000 s=
ize=2>Very
often the factory line doesn't match the actual product. How <BR>often=
have we heard about the tapering of sound board panels from <BR>S&=
S.
They may have done it at some time but . . . The original board <BR>wh=
ich
I pulled from a 1962 Hamburg D last year had a 8 mm thick panel
<BR>everywhere. I still have the original panel at the
workshop.<BR><BR>Ron
O.</FONT></BLOCKQUOTE></DIV></FONT></BLOCKQUOTE></FONT></BLOCKQUOTE>
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