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<DIV>Hi Dale. A couple questions. Do you mind sharing what the total =
bill for
the upright was? (Did it get new board and action?)</DIV>
<DIV> </DIV>
<DIV>Did you do the new ivory?</DIV>
<DIV> </DIV>
<DIV>The reason I ask is that you, as is commonly done, elude to "the =
realities
as to worth and investment....", suggesting that the work may not make =
financial
sense (I understand your stand on the owner's right to make these =
decisions). A
big tall Yamaha (U3 or UX3) costs around $10,000 to $12,000 and the =
big
Steinways, M&H, Bechsteins, etc. cost well over $20,000 new. </DIV>
<DIV> </DIV>
<DIV>I suspect your client ended up with a new 1905 ornate upright. Does =
it work
and sound as well as these other pianos? My point here, obviously, is =
that many
techs will say it is not worth putting $12,000 to make granny's old =
upright like
new - yet a new Yamaha is "worth" $12,000.</DIV>
<DIV> </DIV>
<DIV>I've heard from some others that they "completely rebuild" uprights =
for
around $7,5000 (new board, action, refinish, etc.). I can't see how they =
can do
it for so cheap. I think one could do it for $12,000 OK. I'm putting a =
new
action and damper system in an old upright right now - I wish I had kept =
track
of the hours I have spent on it - there is a lot of time-consuming work =
to make
all work just perfectly. I'm charging way too little, I
fear (incl. hammers, butts, key bushings and fully rebuilt =
damper
system - all springs, etc.) - I should have charged much more.</DIV>
<DIV> </DIV>
<DIV>Just curious for another angle on some of this =
stuff? <SPAN
id=__#Ath#SignaturePos__></SPAN> </DIV>
<DIV> </DIV>
<DIV>Terry Farrell</DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=Erwinspiano@AOL.COM
href="mailto:Erwinspiano@AOL.COM">Erwinspiano@AOL.COM</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Saturday, December 15, =
2001 8:21
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Bridging the cap?/ =
Restoration feasibility</DIV>
<DIV><BR></DIV><FONT face=arial,helvetica>
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TYPE="CITE"><FONT lang=0 face=Arial color=#000000 size=3
FAMILY="SANSSERIF"> I recently did a very =
complete
remanufacture on a 1905 ornate upright. Originally well made =
but
completely dilapidated. I explained the realties as to worth and =
investment
as you previously stated. If the outcome can be assured and =
the client
is not hung up on the investment argument, which Terry was talking =
about
earlier), then A decision can be made. Hey you can fix any thing if =
you
invest enough time and money. <BR> In this case the =
client
got full belly package,case and veneer reconstruction , re- finish =
and new
keys with ivory. Her beloved Victorian upright and child hood =
friend
restored. Don't sell emotional attachment down the river. What's the =
piano
worth now? who cares if she doesn't and she got a really great =
outcome.
Value is ascribed in different ways by us all.
<BR> My point is that there are individual =
situations
where the client will want to proceed after all our usual initial =
warnings
of lack of financial feasibility, tonal outcomes and other prudent =
counsel.
<BR> It is our job to give good counsel but it really is =
the
clients right to spend there money how they will . If we don't wish =
to take
in a certain job that's our free choice. I hope you can see where =
I,m coming
from. <BR> My Two Cents worth-Dale Erwin
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