<HTML><FONT FACE=arial,helvetica><FONT SIZE=2>In a message dated 12/15/00 8:31:02 AM Central Standard Time, A440A@AOL.COM
<BR> writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"><< I punched up the octave stretch so that the last note was 20
<BR>cents sharper than a straight FAC tuning. NOBODY noticed!!!!!
<BR>
<BR>Dave asks:
<BR>>>Where did C8 end up?
<BR>
<BR>It ended up 55 cents sharp, as opposed to the 35 cents I normally see on <BR>the
<BR>SAT.
<BR>
<BR>And was also asked:
<BR>>>You mean to tell me that you tuned the whole octave sharp? Gradually, I
<BR>assume. And nobody noticed?
<BR>
<BR>Yes, that is right.
<BR>
<BR>>> They must have not said anything because they held you in such high
<BR>esteem, but secretly, they're probably whispering " I think he's starting to
<BR>lose it" after you left.>>
<BR>
<BR>No, when a tech charges enough, nobody whispers. This was in a <BR>performance
<BR>environment, (Vanderbilt stage). I had been asked to make the top end
<BR>"brilliant" for a certain faculty recital, so I stretched it up in the last
<BR>octave. I left it there for the next three days, through continual use by <BR>a
<BR>wide variety of pianists.
<BR> The top octave being stretched so far is not the same as the pure <BR>fifths
<BR>tuning. I only had two customers that like that sound,(jazzers, both). I
<BR>only increased the stretch in the last 12 notes.
<BR></FONT><FONT COLOR="#000000" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE>
<BR>
<BR></FONT><FONT COLOR="#000000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">The problem I see with what you did is that it is purely arbitrary. You <BR>simply "jacked up" your FAC program artificially by a number you picked out <BR>of thin air, you didn't match or blend any coincident partials. You could <BR>have ended up in the same range by actually tuning these notes to something, <BR>not just "punching up numbers" as you admit to having done.
<BR>
<BR>Previously you wrote on the List for all to read and believe whatever you say <BR>must be right because after all, you tune for Waylon, Willie and the Boys and <BR>*they* like it, that the way I tune octaves "***DOESN'T MAKE SENSE AT <BR>ALL***", well, guess what I think about what you did?
<BR>
<BR>When I tune the piano, I *tune* it, I don't just dial in numbers and hope <BR>that no one will complain. Of course no one complained, it would have been <BR>unprofessional for them to have done so. Next time, read the SAT manual and <BR>see what it says about tuning octaves instead of experimenting on the job.
<BR>
<BR>Bill Bremmer RPT
<BR>Madison, Wisconsin</FONT></HTML>