<DIV>Thanks Ryan for understanding my point. It is a great pleasure to play on a grand (Kawai), but when that pleasure turns into an upcoming piano competition, you gotta do more than cater yourself soley to the fine instruments that may be available.</DIV>
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<DIV>Matthew<BR><BR><B><I>Ryan Sowers <pianorye@yahoo.com></I></B> wrote:</DIV>
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<DIV>This is actually an intriguing topic. Your little resume does lend to the credibility of your post, Matthew. It seems that you are saying that a "crappy piano" has some advantage due to the fact that you have to work harder to get the sound you want. Then when you transition to a fine instrument you feel like superman. </DIV>
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<DIV>Maybe someone should invent a piano "crapitizer" where you can push a lever and your fine grand can suddenly play and sound like the green piano in Aunt Gertrude's garage! </DIV>
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<DIV>I still feel that when my parents made the stretch and bought a new Kawai grand when I was 9 years old that it changed my life for the better. I feel the same way about my Fandrich & Sons upright. I get so much more pleasure for my time spent at the keyboard than if I had a lesser instrument. </DIV>
<DIV><BR><BR><B><I>Matthew Todd <pianotech88@yahoo.com></I></B> wrote:</DIV>
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<DIV>Well Don, during my concert days, I learned an entire piano concerto on a crappy piano...learned, memorized and perfected all the technique involved in four months. I later went on to win "Young Artist of the Year" here in WA, and played the concerto with the Southwest Washington Symphony, and later again with the Oregon Symphony.</DIV>
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<DIV>As far as documentation, I could send you the newspaper articles, and perhaps a CD of the performance, but I doubt it'd be worth it.</DIV>
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<DIV>Matthew<BR><BR><B><I>Don <pianotuna@accesscomm.ca></I></B> wrote:</DIV>
<BLOCKQUOTE class=replbq style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Hi Matthew,<BR><BR>Provide us with documented proof. Thanks.<BR><BR>At 03:52 PM 24/09/2004 -0700, you wrote:<BR>>Hi Avery,<BR><BR>>Just because what I said IS true, still doesn't mean that every university<BR>and <BR>>piano teacher in the world would do away with their Steinway's and get Hinze <BR>>uprights. Please take into consideration that I never meant someone<BR>should always <BR>>practice on an old upright and never on any good grand. I do know that if<BR>that <BR>>university professor or piano teacher is any good, they do stress that all <BR>>important fact. It is never wise to use your practice time solely on a<BR>great <BR>>instrument that does most of the work for you. You NEVER learn real<BR>technique <BR>>that way.<BR><BR>>Do you want piano lessons too?<BR><BR>>Matthew<BR><BR>Regards,<BR>Don Rose, B.Mus., A.M.U.S., A.MUS.,
R.P.T.<BR><BR>mailto:pianotuna@accesscomm.ca http://us.geocities.com/drpt1948/<BR><BR>3004 Grant Rd.<BR>REGINA, SK<BR>S4S 5G7<BR>306-352-3620 or 1-888-29t-uner<BR>_______________________________________________<BR>pianotech list info: https://www.moypiano.com/resources/#archives<BR></BLOCKQUOTE>
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