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<DIV><FONT face=Arial size=2>BTW: What is a wippen saddle cushion? =
Is that a
different term for the heel cushion?<BR>Yes, same thing.</FONT></DIV>
<DIV><FONT face=Arial size=2>Tom Servinsky</FONT></DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=mfarrel2@tampabay.rr.com
href="mailto:mfarrel2@tampabay.rr.com">Farrell</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, August 05, 2005 =
6:38
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Action =
Balancing/Leverage
Quagmire</DIV>
<DIV><BR></DIV>
<DIV><FONT face=Arial size=2>
<DIV><FONT face=Arial size=2>Hi Tom. Thanks for your input. =
Comments
below:</FONT></DIV>
<DIV> </DIV>
<DIV><EM>Tom Servinsky wrote:</EM></DIV>
<DIV><FONT face=Arial size=2><EM>Are these original parts, except =
for the
hammers? </EM></FONT></DIV>
<DIV><EM></EM> </DIV>
<DIV>No. Newish (few years old) hammers, shanks, knuckles, flanges,
wippens.</DIV>
<DIV><EM></EM> </DIV>
<DIV><FONT face=Arial size=2><EM>Original keybushings with well =
worn key pin
grooves. </EM></FONT></DIV>
<DIV><EM></EM> </DIV>
<DIV>Yes.</DIV>
<DIV><EM></EM> </DIV>
<DIV><FONT face=Arial size=2><EM>Original wippens with excessive =
saddle/
capstan grooves?</EM></FONT></DIV>
<DIV><EM></EM> </DIV>
<DIV>New.</DIV>
<DIV><EM></EM> </DIV>
<DIV><FONT face=Arial size=2><EM>Pinning?</EM></FONT></DIV>
<DIV><EM></EM> </DIV>
<DIV>If anything much of it is loose - what we looked at - didn't =
fully
evaluate.</DIV>
<DIV><EM></EM> </DIV>
<DIV><FONT face=Arial size=2><EM>Verdi Gris?</EM></FONT></DIV>
<DIV><EM></EM> </DIV>
<DIV>No.</DIV>
<DIV><EM></EM> </DIV>
<DIV><FONT face=Arial size=2><EM>Too many times action geometry =
concerns are
confused with the basics. Excessive friction from the keybushings/ =
keypin
relationship can affect the outcome dramatically. My advise =
before any
drilling and leading is considered would be to thoroughly lubricate =
all
contact points...keypins, capstan, knuckles, jack tops, and even the
keybushings and wippen saddle cushions.</EM></FONT></DIV>
<DIV><FONT face=Arial size=2><EM>I assure you that your findings =
will change
dramatically.</EM></FONT></DIV>
<DIV><FONT face=Arial size=2><EM>Incidentally, a tip that I picked =
up from my
last Steinway factory seminar was centered around this issue. The =
techs are
now lubricating the keybushing felt and wippen saddle cushions with =
Protek Pro
Lube, in addition to lubricating the keypins and capstans. The
differences in release are outstanding.</EM></FONT></DIV>
<DIV><FONT face=Arial size=2><EM>Remember: measure twice cut
once!</EM></FONT></DIV>
<DIV><EM></EM> </DIV>
<DIV>No doubt, friction is an issue with this action, but the keys are =
relatively free and many notes have normal friction. On the few high =
friction
notes we put the long-distance knuckles on, friction came right down =
to 12
grams or so. So yes, friction needs to be addressed on this action =
because it
is erratic, but with five leads in the keys, FWs that exceed the =
Stanwood
ceilings, and an action ratio upwards of 7, it seems clear this action =
needs a
bit more than friction management.</DIV>
<DIV> </DIV>
<DIV>Thanks though. Some good point.</DIV>
<DIV> </DIV>
<DIV>BTW: What is a wippen saddle cushion? Is that a different term =
for the
heel cushion?</DIV>
<DIV> </DIV>
<DIV>Terry Farrell</DIV></FONT></DIV>
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<DIV><FONT face=Arial size=2></FONT><BR></DIV>
<DIV><FONT face=Arial size=2>Hello Action Balancing
Aficionados,</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Today I spent a good part of the =
day with
Phil Bondi (who is currently dodging thunderstorms along =
southbound I-75)
diagnosing an 1880s S&S model A 85-note action that plays like =
a Mack
truck.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Because two heads are better than =
one, and as
we found out, they are likely better by an exponential function, =
we have
at least four times as many unanswered questions as either one of =
us could
have come up with working alone!</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>We actually did improve one thing =
right off.
The drop screws were turned WAY down to make the pathetically hung =
crap
hammers check - sort of. They were so far down that the rep levers =
were
being depressed at less than half blow. We turned them up and that =
made
quite a difference right away. But still, the action was
sluggish.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>We measured upweight (UW), =
downweight
(DW), key ratio (KR), strike weight (SW), wippen weight =
(WW),
knuckle-to-center distance (KC) and front =
weight (FW) on
all the Cs and C#s. Our objective is to characterize what changes =
can be
made to this action to make for a normal to light touchweight. All =
results
discussed herein are in grams and millimeters.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>We also examined magic lines and =
did the
measurements to calculate overall action ration as specified by =
Ron
Overs.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>The action had shanks with =
knuckles 15.7
mm away from the flange center pin (is that the right distance =
Phil?). And
it had five leads in the bass keys and two in the =
trebles.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>The capstan/wip-heel actually =
intersected the
magic line just after key travel started (not too horribly bad). =
The
knuckle/rep-lever interface started at a full knuckle below the =
line and
ended with the line about half-way across the knuckle at full key
depression (pretty bad).</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>For anyone interested in a =
painful
experience, I will send you my spreadsheet with all the data upon =
request.
For those others more sensible, but still reading this, I will =
summarize
below:</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>DW ranged from 49 to 63. UW =
ranged from 18 to
28, friction (F) ranged from 12 to 19.5 balance weight (BW) ranged =
from 34
to 45.5, </FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>What would make the BW so
inconsistent?</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>FWs are from at Stanwood's Front =
Weight
Ceilings to about 4g over, KR is .55 for naturals and .53 for =
sharps,
average WW is 16.5, SW ranged from heavy-medium in the =
treble to just
into the light zone in the bass, action ratio (R) ranged from 6.7 =
to 7.5
and averaged 7.1.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Clearly, the leverage of this =
action is
horrible - too high. We experimented with a 17mm and 16.5mm
knuckle-to-centerpin distance knuckles/shanks. They seemed to =
function
very well - you could regulate the notes quite well (we tried the =
17mm on
one note and the 16.5 on four notes). However, the improved =
leverage
dropped all the DWs to around 41 and all the UW to about 16 or =
18g.
</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Looking for a bit of input here - =
this is too
light, yes? Too light DW and the low UW will produce poor =
repetition, yes?
</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Friction on the high friction =
notes dropped
to 12 or so and BW dropped to 28 to 30. Calculated R goes from and =
average
of 7.1 to 6.2 with the 16.5mm knuckles - likely down to about 6.0 =
with the
17mm knuckles.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Using the Overs action ratio =
method (we did
not do actual measurements with the 16.5mm knuckles) I estimate =
that the
knuckle change would drop the action ratio down from the original =
average
of 6.4 to 5.9</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>BUT, these keys have a whole =
bunch of lead in
them. We are thinking that, at a minimum, this action needs the =
knuckles
placed out at 17mm from the flange center pins to improve =
leverage. Then,
that will allow one or two leads to be removed from each key - =
remove
enough lead to make the DWs in the 50 gram range and the upweights =
will
gain a similar amount - around 10 grams or so and end up with =
about 27g
UW.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Ultimately, I think, this =
piano needs a
complete releading (setting gradational FWs) new hammers, shanks, =
knuckles
and flanges and gradational SWs (on some nice SW =
curve).</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Don't know exactly what the piano =
owner will
be willing to do - apparently it is a not-so-well-to-do church. =
Phil has
the action at this point to evaluate it.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Anyone care to comment on our =
thinking here?
Neither one of us are experienced with this balancing methodology =
enough
to decide exactly what to do on our own. And we recognize that =
maybe we
need to do a bunch more measuring also. But we have a start. =
</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>We'll be very interested in =
input.
Thanks.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Terry Farrell</FONT></DIV>
<DIV><FONT face=Arial size=2>(I wonder if Phil managed to =
drive the 135
miles home in the time I took me to write this email?) =
=
:-(</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>