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<br>
<font size=3>I made a tool to clean the grove out from a wire mute
handle.<br>
<br>
File the point to be more blunt and bend it into a hook so that it
will<br>
fit in between the wips. Now with the springs dislodged, run the
hook<br>
along the slot to plough out the old lubricant. Then clean the
spring<br>
with white Scotch Brite and a CLP.<br>
<br>
Place a small dab of your favorite lube du jour on the spring,<br>
reinstall and adjust.<br>
<br>
Sparingly apply Dag with an artist's brush to the repetition lever
and<br>
burnish with the curved end of an ivory gluing plate while
supporting<br>
the rep lever with the hook or some other similar tool.<br>
<br>
Brush the knuckles with a printer's type cleaning brush (available
at<br>
your neighborhood letterpress supply :-) and rub in Teflon
(or brush on<br>
a mixture of Protek and Teflon) burnish with a tool consisting of
cork<br>
gasket material glued to a strip of wood (Renner USA shank set
separators).<br>
<br>
The brass type cleaning brush is great for hammers also.<br>
<br>
Jon Page<br>
<br>
PS That is the "express lube" for repetition lever slots. The
major overhaul<br>
involves another tool to clean out the gunk. Also, the spring is removed
from the<br>
jack slot. Dag is applied to the rep slot and the jack slot and the
spring is opened<br>
at the coil.This makes them rather snappy :-)<br>
<br>
At 10:59 PM 6/17/99 -0400, you wrote:<br>
>List,<br>
>Have any of you noticed the correlation between difficulty of rep
spring<br>
>regulation and amount of green goop in the rep spring lever slot
on<br>
>Steinway actions? I've been regulating an L, using a technique taught
by<br>
>the great John Hartman, whereby you use a small 1 gram (or so) weight
which<br>
>you clip to the strike point of the hammer. When you set each hammer
to<br>
>'just barely rise' from check, you get consistent spring tension, and
a<br>
>very even 'speed of rise' difference from bass to treble. It has
worked<br>
>well for me the few other times I have tried it, but on this one,
despite<br>
>my best efforts, they end up working a little inconsistently. Is it
the<br>
>green goop? This piano seems to have quite a bit of it. I know that
it is a<br>
>special secret formula mixture of moose earwax and equatorial pond
algae<br>
>designed especially to aid in repetition, but I was also wondering
whether<br>
>anyone makes it a routine part of regulation to clean this out, and
replace<br>
>it with graphite, Protek MPL, VJ lube, Chapstick, etc. I know it
would only<br>
>help to replace it, but exactly how does one do this quickly
and<br>
>efficiently? It's not in this piano's budget to disassemble to clean,
or is<br>
>there an easier way?<br>
> <br>
>Ken Jankura<br>
>Newburg,PA<br>
> <br>
> <br>
> </font><br>
<br>
<div>Jon Page, Harwich Port, Cape Cod, Mass.
<a href="mailto:jpage@capecod.net" EUDORA=AUTOURL>mailto:jpage@capecod.net</a></div>
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