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FAMILY="SANSSERIF" PTSIZE="12" BACK="#ffffff"></FONT></FONT>Your=
back didn't hurt cuz you've only tuned one...;-] =
It's a cumulative thing...and "it had a really sweet=
sound"? Please....</P>
<P align=left>David I.</P>
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<P align=left><FONT face=arial,helvetica><FONT lang=0=
style="BACKGROUND-COLOR: #ffffff" face=Verdana size=3=
FAMILY="SANSSERIF" PTSIZE="12" BACK="#ffffff">----- Original=
message ----------------------------------------><BR>From:=
<<A=
href="mailto:Piannaman@aol.com">Piannaman@aol.com</A>><BR>To:=
<<A=
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A>><BR>Rec=
eived: Wed, 22 Dec 2004 02:18:54 EST<BR>Subject: Re: square grand=
tuning: fun</FONT></FONT></P>
<P align=left><FONT face=arial,helvetica><FONT lang=0=
style="BACKGROUND-COLOR: #ffffff" face=Verdana size=3=
FAMILY="SANSSERIF" PTSIZE="12" BACK="#ffffff"><BR>Tom,=
<BR><BR>I've tuned one, and only one, and my experience was=
similar to yours. It had a really sweet sound, especially=
when tuned to 438(prescribed on the plate in factory letters) to=
a Broadwood's best temperament. My back didn't hurt=
either. While the action wasn't up to modern standards(no=
abs-graphite in there...:-), it worked okay for simple stuff.=
All in all, a rewarding experience. <BR><BR>Glad to hear=
you enoyed it, <BR><BR>Dave Stahl <BR><BR>In a message dated=
12/21/04 8:50:32 PM Pacific Standard Time, Tvak@aol.com writes:=
<BR><BR></FONT><FONT lang=0 style="BACKGROUND-COLOR: #ffffff"=
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<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px;=
BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px"=
TYPE="CITE">List <BR><BR>Everything I know about tuning square=
grands I learned from what I've read here on the list.=
Never having done it, and having a fondness for things=
ancient, I read most of the posts about square grands. And=
from what I've read, it's something you would do only when faced=
with a firing squad. Why? Because your back will be=
sore for days afterwards from bending over the thing trying to=
reach the tuning pins and hit the key at the same time. =
<BR><BR>Still...I was willing to have a sore back just to have=
the experience of working on one. <BR><BR>Well, for those=
of you who haven't had the joy yet, let me say that it ain't=
necessarily so. I tuned my first square grand this week=
and it was fun. Yeah, I had to stretch a bit to reach the=
tuning pins but I used my Schaff extension hammer and I really=
had to stand (or stoop over) the piano only to reach the top=
octave. The other pins I could reach while sitting at the=
bench. (Stool, actually...) <BR><BR>Maybe this was a small=
square, and thus was easier to reach the tuning pins. Then=
again, maybe some people are just whiners. <BR><BR>Maybe=
both! <BR><BR>This square, a Hallet and Davis, was a charming=
piano with a quaint sound. There were no trichords, even=
the steel treble strings were all bichords, so the tuning went=
fast. There were a few bass wound bichords that were=
difficult (impossible) to tune a true unison on, but hey, I had=
the exact same experience with a Steinway 45" vertical today.=
<BR><BR>Just thought I'd present a different viewpoint on the=
experience. <BR><BR>Tom Sivak <BR>Chicago PTG Associate=
<BR><BR>P.S. <BR>For the record, I'm 5'11", and am not built=
like an orangutan: my arm length is proportional to my height!=
(Just thought I'd cut a couple of jokes in the=
bud.)</BLOCKQUOTE><BR></FONT><FONT lang=0=
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