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<DIV>Two years ago our local community performance organization bought a 1956
Baldwin D for $12,000. It is a pretty nice instrument, looks good
and sounds great except it could having a little more singing tone in the killer
octave. Classical pianists complain about that but the jazzers love
it. I think we got a steal...</DIV>
<DIV> </DIV>
<DIV>David I.<BR><FONT face=Arial size=2>*********** REPLY SEPARATOR
***********<BR><BR>On 5/26/01 at 2:40 PM Wimblees@AOL.COM wrote:</FONT></DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid"><FONT
face=arial,helvetica><FONT size=2>In a message dated 5/26/01 6:49:55 AM
Central Daylight Time, <BR>stephen_airy@yahoo.com writes: <BR><BR><BR>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px"
TYPE="CITE">Could someone recommend some good brands and models of
<BR>9-foot grand pianos? I'm trying to price some concert <BR>grands
for under $10,000 (preferably under $7,000). I <BR>don't care if they
need work on them, so long as they <BR>can get by with a tuning and
regulation in order to <BR>make all 88 notes sound.
<BR><BR></BLOCKQUOTE><BR><BR>A good concert grand for under $10,000 is an
oxymoron. You either want a <BR>cheap concert grand that look decent and will
just barely stay in tune, and <BR>needs lots of work to regulate, or you want
a good concert grand that cannot <BR>be tuned because the block is shot, nor
regulated because the parts are <BR>completely worn out, and looks like hell.
<BR><BR>Willem </FONT><FONT size=2
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