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List, <br><br>
I agree with just about everything that's been said. BUT. One thing I
haven't heard commented on is if the <br>
dampers, from the factory, lift too soon, it can also cause a feeling of
being heavy. Correcting that problem <br>
during dealer prep (or even in the home) can also lighten the touch
considerably. It doesn't have to ALWAYS <br>
be too far in the other direction! :-) I've seen that too many times.
<br><br>
Avery <br><br>
At 09:25 AM 1/19/2006, you wrote:<br>
<blockquote type=cite class=cite cite=""><font size=2> <br>
Davids<br>
I find the sound to be what I call dry, for the reasons
mentioned, but the effect becomes greater, especially on forte
blows. The hammer seems to get to the string before the
damper gets away completely<br>
Dale Erwin<br>
</font>
<dl>
<dd>agree with Ed here. While it will change the amount of weight
at the<br>
<dd>point at which the damper lever is engaged (not before and not with
the<br>
<dd>damper pedal employed) the question is whether it's desirable.
In addition<br>
<dd>to the greater difficulty in legato playing, the pianist will sense a
loss<br>
<dd>of tonal control at the other end of tone production that we
sometimes<br>
<dd>forget about which is the timing of the shut off. A too rapid
shutoff when<br>
<dd>the finger starts to lift makes the piano feel choked and will
actually<br>
<dd>change the pianists ability to relax the hand immediately after the
stroke<br>
<dd>which can have a negative impact on tone control by changing the
fluid and<br>
<dd>flexible feeling in the wrist. In other words, it can force an
unnatural<br>
<dd>technique. Wouldn't do it. <br><br>
<dd>David Love<br>
<dd>davidlovepianos@comcast.net <br>
<br>
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