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<font size=3>Hi Antares,<br>
&nbs=
p;
I would also add that they file and shape very nicely, very easy to
maintain shape. after needling.<br>
The new Knabe grands by Samick, use Renner blues, very nice open,
sustaining tone once voiced. (100% Renner action) Sound board
and pin blocks by Bolduc.<br>
The bass hammers we start needling just above the staple, and walk up to
about 2 o'clock. A round warm sound at<b> <i>ppp</i></b>, and still
plenty of crack at <b><i>fff.<br><br>
</i></b>Regards Roger<br><br>
<br>
At 10:37 AM 9/21/02 +0200, you wrote:<br>
<blockquote type=cite class=cite cite>And then I say (speaking from a
long time experience) :<br><br>
Try the Renner hammers with Wurzen felt.<br>
I don't know about the 'Renner blues' made for the US market (maybe they
are<br>
made with lower tension because of your (American) way with hammer
dopes)<br>
but at least here in Europe the Renner hammers (with Wurzen) are the
very<br>
best hammers available and you find them on Bösendorfers,
Bechsteins,<br>
Steinways and other well known piano makers.<br>
Yamaha uses Wurzen on their CFIIIS and these days even Samick in Seoul
buys<br>
Wurzen felt.<br><br>
The Renner Wurzen hammers we use have the following characteristics
:<br><br>
Nice, even tone from the beginning.<br>
Middle section needs some voicing and opening up (usually around 30<br>
strokes).<br>
Lower bass hammers, usually the first octave, need battery voicing
(driving<br>
up the powers from the base of the hammers).<br>
Higher treble hammers (from c''' to c'''') need battery voicing.<br>
The highest treble hammers, usually the last 5 or 6 hammers, need some
dope<br>
to give them a little more 'ping'.<br><br>
Just yesterday, I voiced an older baby Grotrian Steinweg grand with
these<br>
Renner hammers and it took me about 1 hour and 15 minutes to needle
them,<br>
file them, clean them up and apply the dope.<br><br>
Result :<br>
A nice, warm and even sounding Grotrian Steinweg baby with a 'ping' in
the<br>
high treble.<br><br>
By looking closely at the fibers of the Wurzen felt, and especially on
the<br>
sides, we clearly see that this felt is not just a dense, stone
hard,<br>
lifeless piece of felt. On the contrary, it almost seems like it was
woven<br>
like a beautiful and very expensive Kashmir shawl and after hearing
the<br>
result, we can understand why, in the earlier days, the great piano
makers<br>
in Europe used this felt.<br>
Now that the Eastern part of Germany has been added to its former halve,
the<br>
factory has opened again, continuing to make what they had to
temporarily<br>
stop a long time ago.<br><br>
friendly greetings<br>
from<br><br>
Antares,<br><br>
Amsterdam, Holland<br><br>
"where music is, no harm can be"<br><br>
visit my website at :
<a href="http://www.concertpianoservice.nl/"=
eudora="autourl">http://www.concertpianoservice.nl/</a><br><br>
<br>
> From: "Joseph Garrett"
<joegarrett@earthlink.net><br>
> Reply-To: Pianotech <pianotech@ptg.org><br>
> Date: Fri, 20 Sep 2002 20:11:49 -0700<br>
> To: <pianotech@ptg.org><br>
> Subject: Voicing<br>
> <br>
> I personally have had the misfortune of getting a set of
"Pre-voiced"<br>
> hammers, from Steinway! When I opened the box, it wreaked of
lacquer! I sent<br>
> them back and requested hammers straight out of the presses with
no<br>
> "Pre-voicing" done. Which, incidentally, I was told this
was "standard<br>
> procedure". To which, I replied: how the heck do you know the
application of<br>
> these hammers and the acoustics of the room?<br>
> As usual, the reply was the typical "cavalier" attitude
that has always been<br>
> present at Steinway. I was warned about it by my teacher and it has
proven<br>
> to be a fact.<br>
> The replacements were darned near as hard as the first ones, but had
not<br>
> been "Pre-voiced". I installed them on an "O".
I've never had so darned much<br>
> trouble with a set of hammers. Never again!!!!! The best hammers for
a<br>
> Steinway, IMHO, is anything other than theirs.<br>
> Regards,<br>
> Joe Garrett, RPT, (Oregon)<br>
> <br>
> Been There, Didn't Like It, So I'm Here To Stay! [G}<br>
> <br>
> _______________________________________________<br>
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> <br><br>
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</blockquote><br>
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