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Daniel,<br>
<x-tab> </x-tab>If you
can't find a serial number it's probably not a fantastic specimen of
piano technology so apply to your hearts content. Make sure you have a
great deal of ventilation!<br><br>
best,<br>
Greg Newell<br><br>
<br>
At 10:54 PM 3/7/2006, you wrote:<br>
<blockquote type=cite class=cite cite="">i'm considering using CA glue on
a small Baldwin (i haven't found a serial <br>
number yet and i didn't measure the piano) but i might guess that it
would <br>
be at least 50+. it was rebuilt about 30 years ago. aparently someone
used <br>
pin tite or garfields or whatever on it without telling the
customer.<br>
i looked at the piano for the first time last week and many of the notes
<br>
were very sour. a couple of pins in the bass simply wouldn't stay
put.<br>
i explained the situation to the customer. i told them they could either
<br>
replace the pinblock or do a temporary fix with CA. i told them it might
or <br>
might not work. they wanted to try the CA to see if it could make the
piano <br>
tunable until they could save enough money for a new PB.<br>
so i was reading up on CA since this will be my first time to use it, and
i <br>
ran across a message or two that advised against ever using CA on a good
<br>
grand:<br><br>
>"Piesik, John (JPIESIK)" wrote:<br>
><br>
> > Dear List,<br>
> ><br>
> > Last month I requested info on CA glue for loose tuning pins.
It's only <br>
>fair<br>
> > that I report the results, especially to those who thoughtfully
<br>
>responded.<br>
> > And the results are: it worked, and it didn't work. It appears
that, in <br>
>my<br>
> > opinion, CA glue can pull you out of a "slippy"
situation, sometimes. A<br>
> > couple of the pins I tried it on were so loose that the CA glue
was not<br>
> > effective. Thus, I muted those strings that wouldn't tune, got
my client<br>
> > through her Christmas party, and recommended that the next step
is a<br>
> > replacement or rebuild.<br>
> ><br>
> > Now, following are some comments, my opinions, of course,
regarding this<br>
> > matter:<br>
> ><br>
> > When a piano is in need of CA glue on more than a few tuning
pins, it's <br>
>in<br>
> > need of a lot more than just CA glue. I would not recommed CA
gluing or<br>
> > doping an entire pinblock - I shudder at the thought -
although, I know <br>
>some<br>
> > folks do, and that's fine for them. I've learned that there are
many <br>
>ways to<br>
> > skin a cat in this business, but, to me, some cats are best
left alone. <br>
>(In<br>
> > order to buy a little more time in an emergency, on a few pins
at best,<br>
> > then, CA glue may be the ticket. And, there are other ways to
solve a <br>
>loose<br>
> > tuning pin problem, too!) But, let's face it, doping an entire
pinblock <br>
>is a<br>
> > bandaid fix.<br>
> ><br>
> > It's a funny thing that in the last month I've encountered two
more <br>
>pianos<br>
> > (grands) that are not holding tension due to loose pins. I
admit I CA <br>
>glued<br>
> > two pins on a Yamaha gray-market piano to "buy some more
time", but the<br>
> > other was just too far gone. In these cases, I recommended
replacement <br>
>or<br>
> > have them rebuilt (preferably with new PBs). It's apparent that
I'm <br>
>running<br>
> > into increasingly more pianos with "loose pin"
troubles (are you?). I <br>
>don't<br>
> > think that this is some kind of coincidence, either, and here's
why. <br>
>Many<br>
> > pianos were sold to/for boomers during the 50s, 60s and 70s.
The <br>
>condition<br>
> > of these pianos, coming from the historical height of US piano
sales, <br>
>due to<br>
> > the pianos ages, is now starting to deteriorate (the pianos are
now over <br>
>30<br>
> > years old). I am not a rebuilder, but, I would bet dollars to
donuts <br>
>that<br>
> > the piano rebuilding business is going to see a flurry of new
work in <br>
>the<br>
> > very near future - if it hasn't already begun. And piano sales
will <br>
>continue<br>
> > to increase with even more vigor. (I would someday like to have
a shop <br>
>and<br>
> > become a rebuilder; it's very rewarding work. And, there are
not enough <br>
>good<br>
> > rebuilders - there seems to be plenty of room for more. The
Aerospace<br>
> > industry has a similar problem with more talent leaving or
retiring and <br>
>not<br>
> > enough good talent coming in - but that's a whole other
story.)<br>
> ><br>
> > Bandaids only hold for so long, then they fall off. Doping
pinblocks is <br>
>a<br>
> > bandaid. Our clients, and thus the piano industry as a whole,
in my <br>
>opinion,<br>
> > would benefit from either recommending a new piano or a rebuilt
piano<br>
> > instead of applying a bandaid to a piano beginning its dying
cough. It's <br>
>up<br>
> > to us to gently guide our clients to the right decision. The
fact is, <br>
>all of<br>
> > us are going to be encountering more and more of these
untunable pianos. <br>
>Do<br>
> > we squirt CA glue into them and cross our fingers, or do we
recommend a <br>
>new<br>
> > purchase or a rebuild? The bandaid approach, I think, hurts
everyone. <br>
>The<br>
> > later recommendation has obvious benefits for our industry, at
least in <br>
>my<br>
> > mind.<br>
> ><br>
> > What do you think?<br>
> ><br>
> > Warmest Regards,<br>
> ><br>
> > John Piesik, RPT<br>
> > Piesik's Piano Service<br>
> > Oceanside, CA<br>
> > (760) 726-4665<br><br>
my thought is this: i've explained the sitch to the owners, told them the
<br>
good and the bad, and that CA is only a temporary fix. they decided to
<br>
simply give it a try.<br><br>
if anyone thinks CA might not be a good idea on this particular occasion,
<br>
let me know.<br><br>
AND another question...<br><br>
if i do go ahead with the job, what kind of time am i looking at/what
should <br>
i charge?<br><br>
many thanks<br><br>
daniel carlton<br><br>
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<x-sigsep><p></x-sigsep>
<font face="Lucida Handwriting">Greg Newell<br>
Greg's Piano Forté<br>
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