<HTML> <HEAD> <TITLE>Re: news articles</TITLE> </HEAD> <BODY> <BLOCKQUOTE>David, I looked for this recording - it's not called "Live at Seiji Ozawa Hall". What I found was: <a href="http://www.arkivmusic.com/classical/album.jsp?album_id=1176">http://www.arkivmusic.com/classical/album.jsp?album_id=1176</a> name of album: Lang Lang - Haydn, Rachmaninov, Brahms, Tchaikovsky, Et Al available cheaper from Amazon: <a href="http://www.amazon.com/gp/product/B000059SYO/sr=8-7/qid=1142450015/ref=pd_bbs_7/104-3303294-1189531?%5Fencoding=UTF8">http://www.amazon.com/gp/product/B000059SYO/sr=8-7/qid=1142450015/ref=pd_bbs_7/104-3303294-1189531?%5Fencoding=UTF8</a> Cheers || ||| || ||| || ||| || ||| || ||| || ||| || Jason Kanter </BLOCKQUOTE> That’s the one.....thanks, Jason, for the correction.  It’s been on my iPod so long I didn’t remember the name of the CD. I highly recommend the purchase of this CD for serious study of piano recording and concert prep...keep in mind this was a LIVE recording, so that Barbara Renner, the concert tech, had to balance the near-field sound and the sound in the back of the hall.  Usually, if the piano sounds good in the hall, it’s a bit too rangy, “attack-ey” for recording, but she balanced the voicing of the hammers in a masterful way. And the tuning----amazing.  Musical.  Solid.  Some of the best unisons I’ve ever heard, and the artist takes full advantage of the singing, long-sustain tuning in his performance---you can tell he’s listening to EVERYTHING. Best, David Andersen </BODY> </HTML>