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<DIV><FONT face=Arial size=2>Hi Matthew,</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>As you say, checking height changes when varying
the force of the pressure on the keys.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>That is why you have to be careful to put the same
amount of force on each key, and that is also important when regulating key dip,
because if you do not press all the keys the same way, you will not have an
accurate regulation, and key dip is very important for backcheck
regulation.</FONT></DIV>
<DIV><FONT face=Arial size=2>You can help that with the installation of firmer
front punchings, like the Crescendo white punchings.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>For me, the best way to regulate backchecks (on a
grand), is to make a well regulated sample in each section(15mm from the strings
is the Yamaha standard, for example), and then with the action on your knees,
align the adjacent hammers with that sample, and so on.</FONT></DIV>
<DIV><FONT face=Arial size=2>You have to bend the backcheck wire with your
fingers a little bit, be careful because sometime you don't have to move the
wire too much to get a big difference.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>At the end, if your backcheck regulation is fine,
you will have a straight line with your hammers in checking
position.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>I hope this helps,</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Quentin</FONT></DIV></BODY></HTML>