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<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>I think it was Jorgensen in his book on <i><span
style='font-style:italic'>Tuning</span></i> who listed a test of just hearing a
buzzing in the 17<sup>th</sup>. I forget the exact words he used to describe
it, but something like that.<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>What I do is tune double-octaves and
octave-fifths to beat equally all the way to the top. Usually I can hear it
just fine. You’re wanting the top section to sound well harmonically with
the lower sections, so play the triple and quadruple octaves for added
verification if you need to. I don’t use the 17<sup>th</sup> much anymore
in that section, but will on occasion. It also helps me to play the octave somewhat
rapidly (anywhere from 1-2 times per second ) and softly, listening for beats. The
sound in that section decays so rapidly that you nearly have to do it this fast.
Once you get the hang of what I’m trying to describe, you can tune it
pretty quickly and accurately. (Playing the octaves faster in other sections
seems to help me hear it quicker too, BTW.)<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>John Formsma<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
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<p class=MsoNormal><b><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'>
pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] <b><span
style='font-weight:bold'>On Behalf Of </span></b>Robert Finley<br>
<b><span style='font-weight:bold'>Sent:</span></b> Thursday, May 04, 2006 4:58
PM<br>
<b><span style='font-weight:bold'>To:</span></b> pianotech@ptg.org<br>
<b><span style='font-weight:bold'>Subject:</span></b> Question About Setting
Octaves in the High Treble</span></font><o:p></o:p></p>
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<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>I am learning to tune the piano by ear and have a question
about tuning octaves in the high treble and performing the tests on them. Lower
down the piano and for an octave or two above the temperament octave I use a
3rd-10th test to check whether the beat rate of the 10th is the same as or
slightly faster than the 3rd, to provide an octave that is correctly stretched.
When I go higher in pitch I use a 3rd-17th test so that I can still hear
the beats and do the comparison. The problem I am having is that when I go
still higher, say in the final octave, I can hear the beats of the third
but I can't hear the beats of the 17th, or any ripple at all. I
can't therefore compare the two beats rates and check the octave. The
higher note also dies away quicker so it makes it even more difficult. Is there
any special technique I should use to be able to hear the beat rate of the 17th
so that I can check the higher octaves? Thank you very much for your help. </span></font><o:p></o:p></p>
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<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Robert Finley</span></font><o:p></o:p></p>
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