<html> <body> Rick, At 06:40 AM 5/10/2006, you wrote: <blockquote type=cite class=cite cite="">I have been called to do what I would consider my first real concert tuning.  </blockquote> You're kind of lucky. My first "real" concert tuning was for a symphony concert in San Angelo, TX with Ferrante & Teicher (sp?). They can be real pounders! :-) <blockquote type=cite class=cite cite="">The pianist is Dino (well known in Christian circles) and the piano will be a Yamaha C7 (I believe) that hasn't been tuned/serviced in at least 3 years (church).  </blockquote> Ouch! I tuned for Dino twice quite a few years ago when he was still touring with his white Baldwin grand and as best I can remember, he's very easy to work with. <blockquote type=cite class=cite cite="">I have already determined that I will approach this in two stages spanning 2 days due to the limited amount of time available on the day of the concert. I am planning to do a pitch-raise and as much prep work as possible on day 1 </blockquote> I agree here with the proviso that one pitch raise tuning gets the instrument fairly well on pitch. Maybe after the prep work, go over it again quickly just to catch any notes that might have gone out again too much. You don't want to have to continue & battle the tuning the day of the concert, if at all possible. As far as prep work is concerned, if you have limited time, I'd suggest going for a consistent dip/aftertouch, let-off, drop & repetition. Maybe lube the knuckles, also. You might want to quickly check the jack position in relation to the knuckles. If it's reasonably new Yamaha, you probably won't find too awful much out of whack. Unless someone else has messed it up of course. Then even up the voicing, paying particular attention to any notes that really stick out. <blockquote type=cite class=cite cite="">and then return the next day (piano will be moved a small distance of 4-5 ft. on the morning of day 2 after a graduation ceremony) to retune and be present during the sound-check with the artist.</blockquote> That small a move shouldn't cause a problem with the tuning, but you plan on tuning it again anyway, so it's basically irrelevant. When I tuned for him, he used a "soundtrack" type accompaniment, so if you tune aurally, make sure your fork is accurate and hope that his machine is. :-) <blockquote type=cite class=cite cite="">I would like to receive advice regarding the sequence of concert work as well as insight into the artist's expectations from any of you who might have tuned for Dino.</blockquote> Hope I didn't forget anything and I probably didn't really say anything that you weren't already thinking, but maybe just reinforced everything. That first one can be kind of scary. Good luck. Avery Todd University of Houston <blockquote type=cite class=cite cite="">  Thanks! Rick Bazemore, RPT Social Circle, GA <a href="http://www.pianosintune.com/" eudora="autourl"> www.pianosintune.com</a> <a href="http://us.rd.yahoo.com/mail_us/taglines/postman3/*http://us.rd.yahoo.com/evt=39666/*http://messenger.yahoo.com"> Yahoo! Messenger with Voice.</a> PC-to-Phone calls for ridiculously low rates. </blockquote></body> </html>