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I think the bore distance on all the hammers is the same, but the shank
length is different, possibly for tonal reasons. Not an elegant design
in any case.<br>
<br>
Tom Cole<br>
<br>
alan forsyth wrote:<br>
<blockquote type="cite" cite="mid001501c67529$5c76b430$0100007f@Aspire">
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<div><strong> Why would they use an overstrung type action in a
straight strung piano? There is no need for the bass section hammers to
be out of line with the treble. </strong></div>
<div><strong> </strong> </div>
<div><img alt="" src="cid:part1.04060609.07080307@cruzio.com"></div>
<div><strong> </strong> </div>
<div><strong> AF </strong></div>
<blockquote>
<div>----- Original Message ----- </div>
<div><b>From:</b> <a title="tomtuner@verizon.net"
href="mailto:tomtuner@verizon.net">TOM DRISCOLL</a> </div>
<div><b>To:</b> <a title="files@ptg.org"
href="mailto:files@ptg.org">files@ptg.org</a> </div>
<div><b>Sent:</b> Thursday, May 11, 2006 2:46 PM</div>
<div><b>Subject:</b> [Files] Fw: 6 pictures for you</div>
<div><br>
</div>
<div> List, </div>
<div> Wing and son upright piano from around 1930 as best as I can
tell. </div>
<div> Flat strung with this unusual strut behind the soundboard. </div>
<div> This piano is 200 cents flat and I don't know what to do ! </div>
<div> I'm a pull it up to pitch guy,but this one makes me
nervous.Thoughts? </div>
<div> </div>
<div> Tom Driscoll RPT </div>
<div> P.S. "Sostenuto Al Bel Canto" --from Babelfish online
translation means </div>
<div> "Supported to the beautiful song" </div>
<div><br>
</div>
</blockquote>
</blockquote>
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