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<p class=MsoNormal><font size=2 color=navy face=Arial id="role_document"><span
style='font-size:10.0pt;font-family:Arial;color:navy'>It’s basically
new. From the description (I haven’t seen the piano yet) I believe
it’s just the nature of the scaling at the bottom of the piano.
Many, if not most, of the Steinways I encounter aren’t as clear as they could
be down there will benefit from what you describe. I’m wondering
more about whether just changing the monochords (if that’s the route that
ends up being pursued) will create problems with the transition to the low bichords.
</span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'> </span></font></p>
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<p><font size=2 color=navy face="Times New Roman"><span style='font-size:10.0pt;
color:navy'>David Love</span></font><font size=2 color=navy><span
style='font-size:10.0pt;color:navy'><br>
davidlovepianos@comcast.net </span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=2 face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma'>-----Original Message-----<br>
<b><span style='font-weight:bold'>From:</span></b> pianotech-bounces@ptg.org
[mailto:pianotech-bounces@ptg.org] <b><span style='font-weight:bold'>On Behalf
Of </span></b></span></font><font size=2 face=Tahoma><span style='font-size:
10.0pt;font-family:Tahoma'>Erwinspiano@aol.com</span></font><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'><br>
<b><span style='font-weight:bold'>Sent:</span></b> Thursday, June 01, 2006 9:11
PM<br>
<b><span style='font-weight:bold'>To:</span></b> pianotech@ptg.org<br>
<b><span style='font-weight:bold'>Subject:</span></b> Re: Thunky Steinway
Monochords</span></font></p>
<p class=MsoNormal style='margin-left:.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'> </span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'>
Hi David</span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'>
I routinely double wrap all Stwy B mono chords. TO my ear it is
huge improvement over the mapes string which is a OEM part. Our new
B at the college has a funky sound upon entering the mono section. I have been
happy with the GC & Arledge iterations of this.</span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'>
How olds the piano?</span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'>
Dale</span></font></p>
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<blockquote style='border:none;border-left:solid blue 1.5pt;padding:0in 0in 0in 4.0pt;
margin-left:3.75pt;margin-top:5.0pt;margin-bottom:5.0pt'>
<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'>I
believe the strings have already been changed and the situation has not<br>
improved. I'm being called after several attempts to remedy the
situation.<br>
<br>
David Love<br>
davidlovepianos@comcast.net </span></font></p>
</blockquote>
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<p class=MsoNormal style='margin-left:.5in'><i><font size=2 color=black
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