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<DIV> <FONT size=3>HI Clark</FONT></DIV>
<DIV><FONT size=3> Dittos to what Bob & Dave said.</FONT></DIV>
<DIV><FONT size=3> My caveat is that a technique which fine indicator
of when enough is enough strike line movement is to listen to the sound of
the piano with the soft/ shift pedal down or on & the left string is
completely cleared. Generally in this position a whiny , nasal sound
indicates the incorrect strike point & slowly pulling the action forward
& listening, using the protocol David L suggests. You will find
the sweet spot where the whine goes away but the power & sustain increase to
there maximum potential. For me the best sound occurs by doing this &
the strike line is most often hung in a curve.</FONT> <FONT
size=3>Refinement of this kind is possible on most pianos but Stwys are
particularly fussy about this.</FONT></DIV>
<DIV><FONT size=3> Aslo remember that Stwy hammers tend to over center
as because of Factory boring recommendations/design & if you are
boring them longer I suggest a 0 rake or pulling them in on the shank a
bit will cause you less grief in finding the strike line.</FONT></DIV>
<DIV><FONT size=3> Dale Erwin</FONT></DIV>
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<BLOCKQUOTE
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face=Arial size=2>How much does the strike line vary in the killer octave
region, when this is necessary? I am having trouble getting consistent
tone, right around F# 5 to D6. It is great before and after
this. I knew from the talk around the List that sometimes it is
necessary to change the strike line in the Killer Octave area to achieve the
best tone, but how much is workable?</FONT></BLOCKQUOTE></DIV>
<DIV><FONT face="Bookman Old Style">Clark,</FONT></DIV>
<DIV><FONT face="Bookman Old Style"></FONT> </DIV>
<DIV><FONT face="Bookman Old Style">Steinways of that age often had hang
distances between 5 and 5 1/16". Bore distance and rake can also affect strike
line. However, the most sensitive areas are closer to the top, usually not in
the 5th octave. I might suspect some other culprit there. Is the plucked ring
time good? What kind of hammers are you using? </FONT></DIV>
<DIV><FONT face="Bookman Old Style"></FONT> </DIV>
<DIV><FONT face="Bookman Old Style">As you move the action in and out, you
will hear the most change at C88, significant change in the octave below that,
and less as you go down. Once you're an octave and a half down, it's pretty
subtle. </FONT></DIV>
<DIV><FONT face="Bookman Old Style"></FONT> </DIV>
<DIV><FONT face="Bookman Old Style">It's also common for the strike line to be
shortest right around the strut between the top two sections. Sometimes it
wants to curve in, then back out a little closer to the top. I don't remember
a lot of trouble with the model A, more with the B and M.</FONT></DIV>
<DIV><FONT face="Bookman Old Style"></FONT> </DIV>
<DIV><FONT face="Bookman Old Style">As far as amount goes, 2mm
is common, 3mm is not uncommon. I have seen more needed, but not
often.</FONT></DIV>
<DIV><FONT face="Bookman Old Style"></FONT> </DIV>
<DIV><FONT face="Bookman Old Style">Bob
Davis</FONT></DIV></FONT></BLOCKQUOTE></DIV>
<DIV></DIV>
<DIV> </DIV>
<DIV> </DIV>
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