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<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Avery,<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>I don’t know if you’ve read
the entire thread, but the whole point I’m trying to make is that it’s
not necessary to pound to get stability. I only mentioned pounding after using
the shank to deflect the string for those pounders who might not think it
works. No, I don’t recommend pounding at all, but it’s an extreme
example to verify the effectiveness of using the hammer shank. Once that is verified,
we can be comfortable in a method that is better for the hammers, the piano,
and for us!<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>I’ve known for years that stability
can be achieved without pounding, using a firm blow only as a test blow. Now, I’m
convinced I can even leave off the firm blows. (For the most part…naturally,
I will continue to verify the method at least once per piano to make sure I ain’t
heading way off into instability land! <g>)<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>John Formsma<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
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<p class=MsoNormal><b><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'>
pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] <b><span
style='font-weight:bold'>On Behalf Of </span></b>Avery<br>
<b><span style='font-weight:bold'>Sent:</span></b> Friday, June 09, 2006 8:52
PM<br>
<b><span style='font-weight:bold'>To:</span></b> <st1:PersonName w:st="on">Pianotech
List</st1:PersonName><br>
<b><span style='font-weight:bold'>Subject:</span></b> RE: More on hearing
protection</span></font><o:p></o:p></p>
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<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>John, <br>
<br>
You were talking about pounding the living daylights out of the hammers. <br>
Don't you think that's going to compress the felts just a "little"
bit <br>
at the strike point? Making (eventually, anyway) for some fairly <br>
unpleasant, way too bright, sounds? I deal all the time with good pianos<br>
in a VERY high usage environment, so it sounds kind of similar to me. <br>
<br>
Maybe I'm wrong. Been so before. But I personally don't want to treat a <br>
hammer that way. The students do it for me! JMO. :-D<br>
<br>
Avery Todd<br>
<st1:place w:st="on"><st1:PlaceType w:st="on">University</st1:PlaceType> of <st1:PlaceName
w:st="on">Houston</st1:PlaceName></st1:place><br>
<br>
At 08:17 PM 6/9/2006, you wrote:<br>
<br>
<o:p></o:p></span></font></p>
<p class=MsoNormal style='margin-bottom:12.0pt'><font size=2 color=navy
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:navy'>What do
you mean?<br>
<br>
John Formsma<br>
</span></font><br>
<font color=navy><span style='color:navy'><<</span></font> And enjoy all
the voicing you're going to have to do after doing this on a concert
instrument! :-D<br>
<br>
Avery <font color=navy><span style='color:navy'>>></span></font> <o:p></o:p></p>
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