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<DIV><FONT face="Bookman Old Style" size=2>Terry,</FONT></DIV>
<DIV><FONT face="Bookman Old Style" size=2></FONT> </DIV>
<DIV><FONT face="Bookman Old Style" size=2>I agree with Dale (pretty safe
statement, eh?). I've seen it many times and other than the minor
aesthetic issue (mainly for an overly analytical technician like me) of an empty
giraffe hole, I've never experienced any drawbacks.</FONT></DIV>
<DIV><FONT face="Bookman Old Style" size=2></FONT> </DIV>
<DIV><FONT face="Bookman Old Style" size=2>Best,</FONT></DIV>
<DIV><FONT face="Bookman Old Style" size=2>William R. Monroe</FONT></DIV>
<DIV><FONT face="Bookman Old Style" size=2></FONT><BR> </DIV>
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<DIV><FONT face=Arial size=2>I am restringing the bass on an old 6-foot Bauer
grand. The upper four notes in the bass section are wound tricords. I'm going
to let Jim Arledge smooth out the bass scaling. I suspect he will recommend
converting the four tricords to bicords. I'm not rebuilding this piano, the
owner just wants it to sound a little better. The few times I have converted
tri to bi, I have swapped out agraffes. As this is a very basic "just get her
up and running" type job, seems to me I should be just fine using the original
agraffes and likely utilizing the outer positions on the agraffes, bridge pins
and hitch pins.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Any thoughts?</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Terry Farrell<BR>Farrell Piano</FONT></DIV>
<DIV> </DIV>
<DIV><FONT face=Arial size=2><A
href="http://www.farrellpiano.com">www.farrellpiano.com</A><BR><A
href="mailto:terry@farrellpiano.com">terry@farrellpiano.com</A></FONT></DIV></BLOCKQUOTE></BODY></HTML>