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<font size=3>Thanks, Ed. Just never heard of it. <br><br>
Avery <br><br>
At 07:52 PM 10/31/2006, you wrote:<br>
<blockquote type=cite class=cite cite="">Cyano-epoxy aka
Tech-Bond.<br><br>
-----Original Message-----<br>
>From: Avery <avery1@houston.rr.com><br>
>Sent: Oct 31, 2006 4:00 PM<br>
>To: Pianotech List <pianotech@ptg.org><br>
>Subject: Re: More general glue questions was Glue for cracked
rib?<br>
><br>
>I guess I'm showing my "ignorance" here but what is<br>
>CE stuff? Not CA?<br>
><br>
>Avery<br>
><br>
>At 11:25 AM 10/31/2006, you wrote:<br>
>>Because this rib will be put under stress again, and<br>
>>the split is NOT on an old glue joint, I'm intending<br>
>>to use the CE stuff that Coleman sells. I don't<br>
>>consider hide glue, hot or cold, of adequate strength<br>
>>for this application.<br>
>> Thump<br>
>><br>
>>P.S. Coleman said he "uses it all the time" for<br>
>>applications such as this.<br>
>><br>
>>--- ed440@mindspring.com wrote:<br>
>><br>
>> > Alan-<br>
>> ><br>
>> > Depends on just what you mean by "here."<br>
>> ><br>
>> > For a buzzing rib in a dying piano with no rebuild<br>
>> > value in a school struggling to recover from<br>
>> > Katrina, I would use whatever would work fast and<br>
>> > easy. (Probably CE, and I might press the rib up<br>
>> > with a wedge or stick to the floor or just my hand<br>
>> > for the minute it takes the glue to bond.<br>
>> ><br>
>> > For repair, rebuilding or restoration of a preWWII<br>
>> > instrument, working in my shop, I would probably use<br>
>> > cold hide glue. (First I would test glue some
scrap<br>
>> > wood over night to make sure my glue was still<br>
>> > good.) A failed hide glue joint usually has glue<br>
>> > dust or flakes. You can't fully clean it without<br>
>> > disassembling the joint. Cold hide glue is
fairly<br>
>> > thin, easy to inject and will dissolve the glue<br>
>> > dust. It gives you plenty clamping time and can
be<br>
>> > reversed later with water and heat.<br>
>> ><br>
>> > To use Titebond you need to get the joint cleaned,<br>
>> > it is a bit thicker than cold hide glue and harder<br>
>> > to reverse, should that be desired, and you've got<br>
>> > to clamp faster.<br>
>> ><br>
>> > On a Kimball Classic with a soundboard coming loose<br>
>> > along the spine, I used Titebond and quickly clamped<br>
>> > with a strip of quarter round and drywall screws.<br>
>> > This job was done on site.<br>
>> ><br>
>> > On a rare 19th century piano I'd consider refering<br>
>> > the job to a conservator trained to deal with<br>
>> > historic instruments or at least getting<br>
>> > specialist's advice on what to do (or not do).<br>
>> ><br>
>> > I would not use the peanut butter stuff. For gaps
I<br>
>> > like polyfiber in epoxy. For cosmetic reconstruction<br>
>> > try Wood Rebuilder.<br>
>> ><br>
>> > Just my opinions.<br>
>> ><br>
>> > Ed Sutton<br>
>> ><br>
>> ><br>
>> ><br>
>> > -----Original Message-----<br>
>> > >From: "Alan R. Barnard"
<tune4u@earthlink.net><br>
>> > >Sent: Oct 30, 2006 3:42 PM<br>
>> > >To: pianotech@ptg.org<br>
>> > >Subject: More general glue questions was Glue for<br>
>> > cracked rib?<br>
>> > ><br>
>> > >----- This is a forwarded message<br>
>> > ----------------------------------------<br>
>> > >From: "Alan R. Barnard"
<tune4u@earthlink.net><br>
>> > >To: ed440@mindspring.com, pianotech@ptg.org<br>
>> > >Received: 10/30/2006 12:35:29 PM<br>
>> > >Subject: More general glue questions was Glue for<br>
>> > cracked rib?<br>
>> > ><br>
>> > ><br>
>> > >Are there reasons for not using yellow glue, here?<br>
>> > (Titebond, Carpenters, etc.)<br>
>> > ><br>
>> > >And while I'm asking questions out of ignorance:<br>
>> > When you need to fill a gap, what about using panel<br>
>> > adhesive--the stuff that looks like peanut butter?<br>
>> > ><br>
>> > >Alan Barnard<br>
>> > >Salem, MO<br>
>> > >Joshua 24:15<br>
>> > ><br>
>> > ><br>
>> > ><br>
>> > >----- Original message<br>
>> > ----------------------------------------<br>
>> > >From: ed440@mindspring.com<br>
>> > >To: "Pianotech List"
<pianotech@ptg.org><br>
>> > >Received: 10/30/2006 12:19:53 PM<br>
>> > >Subject: Re: Glue for cracked rib?<br>
>> > ><br>
>> > ><br>
>> > >>Gordon-<br>
>> > ><br>
>> > >>When you say "cracked" I'm assuming you
mean<br>
>> > "separated," not "split."<br>
>> > ><br>
>> > >>Cold hide glue is usually the restorer's choice
in<br>
>> > a situation like this. It will soften and<br>
>> > >>combine with any hide glue that is in the
joint.<br>
>> > Hide glue is not gap-filling. (I just<br>
>> > >>came from a great talk by Eugene Thorndahl,
who<br>
>> > has spent 50 years as a hide glue<br>
>> > >>chemist. He said the gap-filling properties of<br>
>> > hide glue are an Internet myth.<br>
>> >
>><<a href="http://www.bjorn.net> /" eudora="autourl">
www.bjorn.net> </a> He may be the only source of<br>
>> > genuine graded hide glues for<br>
>> > >>instrument and restoration work.)<br>
>> > ><br>
>> > >>For a fast repair, consider CE (Cyano-epoxy
aka<br>
>> > Tech-Bond). It has the shear and<br>
>> > >>shock resistance that CA sadly lacks, and sets
a<br>
>> > bit slower. Jim Coleman, Jr. and a<br>
>> > >>few other specialty distributors sell it.<br>
>> > ><br>
>> > >>In either case you may want to drill a hole
for<br>
>> > access to the joint and inject the glue<br>
>> > >>right into the center of the problem.<br>
>> > ><br>
>> > >>Ed Sutton<br>
>> ><br>
>> ><br>
>><br>
>><br>
>><br>
>><br>
>>____________________________________________________________________________________<br>
>>Cheap Talk? Check out Yahoo! Messenger's low PC-to-Phone call
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http://voice.yahoo.com</a>)</font></blockquote></body>
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