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<font size=3>I guess I'm showing my "ignorance" here but what
is <br>
CE stuff? Not CA? <br><br>
Avery <br><br>
At 11:25 AM 10/31/2006, you wrote:<br>
<blockquote type=cite class=cite cite="">Because this rib will be put
under stress again, and<br>
the split is NOT on an old glue joint, I'm intending<br>
to use the CE stuff that Coleman sells. I don't<br>
consider hide glue, hot or cold, of adequate strength<br>
for this application.<br>
Thump<br><br>
P.S. Coleman said he "uses it all the time" for<br>
applications such as this.<br><br>
--- ed440@mindspring.com wrote:<br><br>
> Alan-<br>
> <br>
> Depends on just what you mean by "here."<br>
> <br>
> For a buzzing rib in a dying piano with no rebuild<br>
> value in a school struggling to recover from<br>
> Katrina, I would use whatever would work fast and<br>
> easy. (Probably CE, and I might press the rib up<br>
> with a wedge or stick to the floor or just my hand<br>
> for the minute it takes the glue to bond.<br>
> <br>
> For repair, rebuilding or restoration of a preWWII<br>
> instrument, working in my shop, I would probably use<br>
> cold hide glue. (First I would test glue some scrap<br>
> wood over night to make sure my glue was still<br>
> good.) A failed hide glue joint usually has glue<br>
> dust or flakes. You can't fully clean it without<br>
> disassembling the joint. Cold hide glue is fairly<br>
> thin, easy to inject and will dissolve the glue<br>
> dust. It gives you plenty clamping time and can be<br>
> reversed later with water and heat. <br>
> <br>
> To use Titebond you need to get the joint cleaned,<br>
> it is a bit thicker than cold hide glue and harder<br>
> to reverse, should that be desired, and you've got<br>
> to clamp faster.<br>
> <br>
> On a Kimball Classic with a soundboard coming loose<br>
> along the spine, I used Titebond and quickly clamped<br>
> with a strip of quarter round and drywall screws. <br>
> This job was done on site.<br>
> <br>
> On a rare 19th century piano I'd consider refering<br>
> the job to a conservator trained to deal with<br>
> historic instruments or at least getting<br>
> specialist's advice on what to do (or not do).<br>
> <br>
> I would not use the peanut butter stuff. For gaps I<br>
> like polyfiber in epoxy. For cosmetic reconstruction<br>
> try Wood Rebuilder.<br>
> <br>
> Just my opinions.<br>
> <br>
> Ed Sutton<br>
> <br>
> <br>
> <br>
> -----Original Message-----<br>
> >From: "Alan R. Barnard"
<tune4u@earthlink.net><br>
> >Sent: Oct 30, 2006 3:42 PM<br>
> >To: pianotech@ptg.org<br>
> >Subject: More general glue questions was Glue for<br>
> cracked rib?<br>
> ><br>
> >----- This is a forwarded message<br>
> ----------------------------------------<br>
> >From: "Alan R. Barnard"
<tune4u@earthlink.net><br>
> >To: ed440@mindspring.com, pianotech@ptg.org<br>
> >Received: 10/30/2006 12:35:29 PM<br>
> >Subject: More general glue questions was Glue for<br>
> cracked rib?<br>
> ><br>
> ><br>
> >Are there reasons for not using yellow glue, here?<br>
> (Titebond, Carpenters, etc.)<br>
> ><br>
> >And while I'm asking questions out of ignorance:<br>
> When you need to fill a gap, what about using panel<br>
> adhesive--the stuff that looks like peanut butter?<br>
> ><br>
> >Alan Barnard<br>
> >Salem, MO<br>
> >Joshua 24:15<br>
> ><br>
> ><br>
> ><br>
> >----- Original message<br>
> ----------------------------------------<br>
> >From: ed440@mindspring.com<br>
> >To: "Pianotech List" <pianotech@ptg.org><br>
> >Received: 10/30/2006 12:19:53 PM<br>
> >Subject: Re: Glue for cracked rib?<br>
> ><br>
> ><br>
> >>Gordon-<br>
> ><br>
> >>When you say "cracked" I'm assuming you mean<br>
> "separated," not "split."<br>
> ><br>
> >>Cold hide glue is usually the restorer's choice in<br>
> a situation like this. It will soften and <br>
> >>combine with any hide glue that is in the joint. <br>
> Hide glue is not gap-filling. (I just <br>
> >>came from a great talk by Eugene Thorndahl, who<br>
> has spent 50 years as a hide glue <br>
> >>chemist. He said the gap-filling properties of<br>
> hide glue are an Internet myth. <br>
>
>><<a href="http://www.bjorn.net> /" eudora="autourl">
www.bjorn.net> </a> He may be the only source of<br>
> genuine graded hide glues for <br>
> >>instrument and restoration work.)<br>
> ><br>
> >>For a fast repair, consider CE (Cyano-epoxy aka<br>
> Tech-Bond). It has the shear and <br>
> >>shock resistance that CA sadly lacks, and sets a<br>
> bit slower. Jim Coleman, Jr. and a <br>
> >>few other specialty distributors sell it.<br>
> ><br>
> >>In either case you may want to drill a hole for<br>
> access to the joint and inject the glue <br>
> >>right into the center of the problem.<br>
> ><br>
> >>Ed Sutton<br>
> <br>
> <br><br>
<br><br>
<br>
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