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<DIV><FONT face=Arial size=2><EM>"...they tried to retain as far as possible
down the scale the same harmonic structure or interval
colouration..."</EM></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>No, I don't. Whatever they might try to retain by
putting too many notes on the tenor bridge they lose when they have to drop the
string tension and the strings just go booiiiiiiiiinnnnngggggg!!!!!!
Yes?</FONT></DIV>
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<DIV><FONT face=Arial size=2>Terry Farrell</FONT></DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV><FONT face=Arial size=2>Farrell Piano asked;</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>"Why DID folks get going with the hockey-stick
long bridge ends? Clearly, designers of small pianos way back then had two
paths to follow. Why did most go for the hockey-stick?"</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>The only reason I can think of is that they tried
to retain as far as possible down the scale the same harmonic structure or
interval colouration, if you know what I mean.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>AF</FONT></DIV></BLOCKQUOTE></BODY></HTML>