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<DIV>Hello List,</DIV>
<DIV>Some months ago I posted on a 12 yr old Petrof Model 1 which I bought
and have lent to a church for recitals etc. I have done a lot
of normal routine work on the action (centers/key bushings/fine
regulationetc.) and have improved the touch considerably and it is liked
by pianists. However, as a pianist myself I know that the feel of the
action is still not right and I intend working further towards bringing it to
full potential. As soon as I have further access to it I shall bring the
action home and, amongst other things, put a new set of Abels on it. Key
weighting is very uneven also.</DIV>
<DIV>One curious observation is that the action spread, which is 15mm,
creates a situation where the drop screws are engaging at the tip of the leather
pad on the wip balancier and not in the middle. I don't really see why
this would affect the touch but I have not consciously seen a similar
situation and it doesn't look right. I am wondering if a fundamental re
think is needed on this action. If you think about it, to 'correct' this
situation (new Model 1 has a 12.5mm action spread) it would mean that the
wip rail would come backwards (towards the balance rail) to line up
the drop screws and leather pads. BUT, this would throw out the
capstan/lever heel relationship. What I am asking is, does this
suggest the the capstans are in the wrong place to start with? </DIV>
<DIV>In order to find the correct position of capstan on a key, can you actually
work backwards from correctly positioning your standard Renner parts into their
proper realationships (using wip rail positioning, jack angle
etc) and then assume that the capstan position will automatically be right
if it corresponds with the centre of the wippen heel. Would an acceptable
'magic line' be the result?</DIV>
<DIV> </DIV>
<DIV>ric</DIV>
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