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<DIV dir=ltr align=left><SPAN class=546265119-23112006><FONT face=Arial
color=#0000ff size=2>I wonder why Sohmer used normals pins in the treble and
bridge agraffes further down the scale. Kind of defeats the purpose, in my
view...</FONT></SPAN></DIV>
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<P><FONT size=2>Calin Tantareanu<BR><A
href="http://calin.haos.ro/">http://calin.haos.ro</A><BR>--------------------</FONT>
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<FONT face=Tahoma size=2><B>From:</B> pianotech-bounces@ptg.org
[mailto:pianotech-bounces@ptg.org] <B>On Behalf Of </B>Kazuo
Yoshizaki<BR><B>Sent:</B> miercuri, 22 noiembrie 2006 16:34<BR><B>To:</B>
Pianotech List<BR><B>Subject:</B> Re: Article about bridge agraffes -
function, types<BR></FONT><BR></DIV>
<DIV></DIV>Last night, I tuned a 1925 Sohmer grand, which had bridge agraffes
in the middle section. It kind of sounded metallic and the tone difference
between the notes with the regular bridge pins (in the treble) was very
obvious.<BR><BR><BR>
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<BLOCKQUOTE class=gmail_quote
style="PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">>
a serial number or two. For example, were the Sohmers
from<BR>> the 1920's? How <BR>> old was the
Schumann?<BR><BR>I don't have this information,
unfortunately.<BR></BLOCKQUOTE></DIV><BR></BLOCKQUOTE></BODY></HTML>