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<DIV><STRONG><EM> RIc</EM></STRONG></DIV>
<DIV><STRONG><EM> Thanks , you said it better than I do. I concur
with your reg parameters as well. Not much wiggle room.
</EM></STRONG></DIV>
<DIV><STRONG><EM> One of the first things we do is regulate & an
existing note in pre tear down. Huge clues about action ratio &
parts/capstan use are gained in 5 minutes. I also use spurlocks simple but
elegant action ration finder as listed in his web site. Every tech should
have one. 2 minutes & you know your action ratio quite
closely.</EM></STRONG></DIV>
<DIV><STRONG><EM> Cheers</EM></STRONG></DIV>
<DIV><STRONG><EM> Dale</EM></STRONG></DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><FONT
style="BACKGROUND-COLOR: transparent" face=Arial color=#000000 size=2>Whenever
you find short dip & long blow the action ratio is high"<BR><BR>If
you stop and think about this for a second its perhaps not so trivial <BR>as
it at first may seem. Dip and blow, along with letoff and
<BR>aftertouch are critical determinants in getting an action to feel and
<BR>respond acceptable. And there is not one heck of a lot of manuvering
<BR>room really before things get weirded out. Personally, I opt for
<BR>keeping dip between 9.8 and 10.2, blow at 46-47 and letoff between
<BR>1.5-2.5 mm graduated from the bass and aftertouch on the light
side.. <BR>With these in mind it doesnt take much thought to realize
that in order <BR>to keep these in line you dont have all that much manuvering
room. <BR>Assuming we take balance rail pin positions as given... you have
<BR>basically knuckle size and placement and capstan position to effect
<BR>changes with.<BR></FONT></BLOCKQUOTE></DIV>
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