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<DIV><SPAN class=921202216-26122006><FONT face=Arial color=#0000ff>For the bass
I don't mind them, but for the top treble I think they would interfere with the
striking point. Unsell you were thinking of agraffes above the V-bar like some
Kimballs or Mason & Risch. On the other hand, I so much prefer to
restring a piano that has NO agraffes. I would think the cost of production
increase would outweight the benefits if there were some.</FONT></SPAN></DIV>
<DIV><SPAN class=921202216-26122006><FONT face=Arial
color=#0000ff></FONT></SPAN> </DIV>
<DIV><SPAN class=921202216-26122006><FONT face=Arial color=#0000ff>Marcel Carey,
RPT</FONT></SPAN></DIV>
<DIV><SPAN class=921202216-26122006><FONT face=Arial color=#0000ff>Sherbrooke,
QC</FONT></SPAN></DIV>
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<DIV class=OutlookMessageHeader lang=fr dir=ltr align=left><FONT
face=Tahoma>-----Message d'origine-----<BR><B>De :</B>
pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] <B>De la part
de</B> Frank Emerson<BR><B>Envoyé :</B> 26 décembre 2006
09:02<BR><B>À :</B> Pianotech List<BR><B>Objet :</B> Agraffes in
uprights<BR><BR></FONT></DIV>
<DIV>
<DIV>Hi List,</DIV>
<DIV> </DIV>
<DIV>Recently, I have been getting more pressure from the marketing folks to
design upright models with agraffes, preferably all the way up to
#88. What do you folks think about that?</DIV>
<DIV> </DIV>
<DIV>
<DIV>Frank Emerson</DIV>
<DIV><A
href="mailto:pianoguru@earthlink.net">pianoguru@earthlink.net</A></DIV></DIV></DIV></BLOCKQUOTE></BODY></HTML>