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<DIV><FONT face=Arial size=2>Hi Mike, and all.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>I second what your venerable organist said : I too
had always the feeling that electronic music was tiring, much tiring compared
with real world acoustic music. I must say that I have the feeling that
this is beginning to change with the new electronic standards. My
understanding of this phenomenon is that the electronic version, or be it the
vintage electronic version, of the sound is (was) much more SIMPLE as the
real acoustic thing which our ears are naturally accustomed to. This is
about to change though. Electronics get by the year closer and closer to
the real thing. Fascinating world we live in !</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Now, reading all the interesting posts on this
topic, the idea comes to my mind that the real problem is vulgarisation. I
hope this is the right word in english. It means : making something
available to a huge lot of people. It also means, in the same process,
making that thing less "select". Like the pocket books, who are real good
at bringing nice authors to the average Joe, it has the side effect that most of
the average Joes don't get the ultimate worth included inside the text.
Let me explain further. Even I, who am definately involved in pianos, will
never, I mean never, have the kind of bucks necessary to buy a Dale Erwin
customised Steinway piano. No, never. Though I really would like
this. But other alternatives stand for me (that is the motto). There
is a mean for me to posess a good piano that will do. What I want to say
is that in the specialization niches, it is always the same : you have to pay
much, very much for something that is barely a little better. Of course,
for the specialist, that little better means everything. That is the
problem. I have followed the evolution in recording industry from top
select recording studios absolutely inaccessible to Joe, to the contemporary
home studio, which everyone could afford. Of course, there is a difference
in quality, but no more a difference that would convince me to pay three times
the price of my whole home studio for only one day rent at the real thing.
I suppose the persons who buy electronic keyboards have that kind of
reasonning.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>It was all more simple in the days when excellence
was simply reserved to some few, happy few, excellent people.
</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Stéphane Collin.</FONT></DIV>
<DIV> </DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=mkurta@adelphia.net href="mailto:mkurta@adelphia.net">Mike Kurta</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech List</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, January 04, 2007 4:32
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: electronics replacing
pianos?</DIV>
<DIV><BR></DIV>
<DIV><FONT face=Tahoma size=2> The organist at our wedding
46 years ago explained the difference between electronically reproduced music
and "live" music. He said that certain elements in the acoustic
production of tones are lost when passed through a wire. The ear can
tell the difference and in the case of electronics actually producing the
note, the ear eventually tires of the sound. </FONT></DIV>
<DIV><FONT face=Tahoma size=2> In a situation
where you are actually hearing the sound as its being created by the
instrument, your ear never tires. Depending on the type of music (my
comment). You hear the whole spectrum of sound. Flame suit
zipped.....</FONT></DIV>
<DIV><FONT face=Tahoma size=2> Mike Kurta</FONT></DIV>
<DIV><FONT face=Tahoma size=2> </FONT></DIV>
<DIV><FONT face=Tahoma size=2>
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